#like we get a lot of fan audios and fan art but I really just love everything my discord makes for my silly series

[mr-laveau]

NeXus New Network: Breaking News From Ireland

So I think we need some context for this-

Hi, so I have a discord who gets all my juicy lore bits that most other people don't get (discord perks sorta/j) and I shared with them a fake news report about ireland in the NeXus world which is the soft launch/teaser of another storyline to be coming out that's set in the country and is about an Irish vampire lord.

@maxpaulll , the wonderful being that he is made a fake news cast of it and I loved it (the discord gets up to shit like this from time to time) so I am sharing it with you, enjoy!

[korraofthereef]

Holy shit. TIMEBOMB FANS STRAP IN FOR THIS.

(lots of you have probably already seen this video before, but here’s a quick reminder)

First let’s start with the pinned comment that breaks down time stamps in the video:

Introduction (Ekko did not just have a SLIGHT crush on Jinx lol) : [0:00]

RIOT geniously hiding stuff about Timebomb till the reveal : [1:32]

The timelapse (lots of uncorrect lines in the audio cause we didn't know they met at that time, so it was just me theorizing, but I guess I wasn't wrong now lol) : [2.35]

Ekko-Jinx background, Timelapse + what we know from LORE, and how RIOT been playing with our sanity : [3:20]

✨ WALL ANALYSIS [starting with the easiest ones to see, most interesting parts are near the end]

Intro : Ekko's Wall painted in a RORSCHACH Art style [patchwork graffiti] - being full of Powder & Jinx, Ekko being in love representations, and references to Arcane : [7:28]

Jinx's heroe number and Ekko having her X and her signature all over him : [10:09]

(!) Please see the threads in description to see it all pointed out (!) The video didn't really say it right but these pictures and explanations will definitely make you see what I mean, and also, what I mean about the hair-clip and the Firelight symbol might be theory but I have explained in my thread all the things I discovered that make me thing the Firelight symbol, seeing how it changed, might have a link with Jinx in the first place when it was invented by Ekko.

RIOT playing with us and hiding the fact Jinx was on the wall : [12:14]

This is NOT hypothesis : [12:58]

The developers pointing out the forms we need to see with the thunder hextech energy : [14:54]

Yes, Ekko was in love, and he represented himself 6 times looking at her with bewildered eyes, heart in his eyes, blushing or spying on her during their teenage days : [15:18]

✨ SUMMARY FOR THE THE PAINTINGS --------

NOTE : sometimes you will see the paintings I’m pointing out even better in the next paintings I will point out. By exemple, the Firebomb and the Ekko blushing drawing described in N°2, are clearer and more easy to see in the screencaps pointing out painting N°3! Just try sticking till the end of the video to see them all! ;)

First observations & How I started my Analyze : [16:11]

N°1 - Arcane Jinx main painting on the left - representing Ekko’s Hope to get her back : [16:41]

N°2 - Powder main painting on the right (double faced Powder-Jinx + Ekko blushing + Jinx Chumper bomb) : [17:44]

N°3 & N°4 (I apologize for the lame quality of this one but it was quite hard to make it stand out!) - Screaming/crying Powder, teenage Powder-Jinx drawn K/DA style boxing + teenage Ekko with his Firelight jacket standing on the other side : 5 scenes painted in one and moving along with the seconds! (SIDE NOTE : the cube design on the painting represents the Arcade place in which Jinx boxes the machine, I forgot to mention it in the video!) : [19:19]

N°5 - Vi abandoning Powder - exact Arcane scene : [21:28]

N°6 - Get Jinxed scene from Arcane and Ekko spying on her : [22:14]

N°6, 7 & 8 - Ekko representations watching with bewildered eyes, blushing, with his Firelight mask AND A HEART around the 2 middle Powder & Jinx paintings : [25:20]

Back on N°7, beautiful painting of teenage-adult Jinx with shimmer eyes on top of the wall : [26:26]

N°9 - Little Powder from Arcane & Ekko blushing next to it : [27:47]

N°10 - Doll Jinx with Arcane's clothes : [28:28]

N°11 - Black & white picture of the same screaming/crying Powder represented on painting N°3 : [28:50]

N°12 (that you can see more clearly later in the screencaps of N°27!!) - Ekko in GILDED skin & Jinx with untie long hair drawn in negative mode : [29:04] (!) in the video I said Firelight jacket but now that I discovered all the Ekko-Jinx matching stuff in the Gilded universe (and them hiding in the crowd side-by-side on the Caitlyn’s Gilded artwork lol), I realized it looked like Gilded Ekko in that painting!

N°13 - Young Ekko with unknown person on his side but seeing how the rest of the wall is Jinx, it is probably Powder : [29:19]

N°14 - Young Powder & Ekko talking, probably the talk they had after Powder was taking in by Silco, seeing how Ekko is represented like a skeleton (dying inside) : [29:37]

N°15 - Jinx blue smoke/cloud tattoos representation (!) this cloud I'm pointing out is actually part of the ''cracking the hextech scene'' I've discovered later on, and is located on her shoulder! I will show the painting of that scene later in the video don't worry ! ;) [30:25]

N°16 - Symbols next to the Get Jinxed painting, that have different meanings in the next scenes I will show when the wall will be upside down (singing, crying + hextech symbols) : [30:32]

N°17 - THREE PAINTINGS IN ONE : Powder's red eye when she looks at Silco at the end of Act 3 + Jinx's face/mouth when she looks at Ekko before she made her bomb explode : [30:45]

N°18 - Representation of baby Powder's trauma on the bridge : [31:54]

N°19 - Lighting the flare scene drawn negative mode again, being represented in every way/side you turn the wall : [32:12]

N°20 - Random elements, like Ekko's young blushing face, giving the shape of a heart when you turn them upside-down : [32:29]

N°21 - Young Powder with Arcane's clothes, but looking more fierce as the Powder we know. Perhaps one Powder from Ekko's memory, or the Powder from the Timelapse : [32:40] (!) You can see this painting more clearly in the screencaps of N°27 (!)

N°22 - Jinx drawning/reborn scene with Silco : [32:56]

N°23 - (sorry I have deleted this one since I couldn't point it out in the video, but here's what it was : the black canvas on each side of the scene, also have Jinx & Powder's representations on them, but you'll have to zoom in and improve lighting + the quality yourself to see them cause it can't be shown in a video ToT/)

N°24 - Powder’s leather bag + teenage Ekko staring + blue & pink hand palm : [33:17]

N°25 - Big Jinx monkey-bomb from Arcane, near the other paintings of that exact same scene : [33:37]

N°26 - Drawn negative mode : ''Devil'' Jinx from the bridge scene : [34:08]

N°27 - Two paintings in 1 - Teenage or adult Ekko & Jinx + Ekko’s Gilded skin again ? : [34:31]

N°28 - Jinx ''cracking the Hextech'' scene : [34:57]

N°29 - Firelights representations, same as the ones Jinx drew in her Diary : [35:40]

N°30 - end [36:05]

MORE INTERPRETATIONS & BETTER QUALITY OF SOME PAINTINGS :

N°12 - Ekko & Jinx with untie long hair drawn in negative mode but also, if you look at it at [34:55], you'll see it way more clearly AND also see that it gives Jinx lighting up the flare scene with Ekko on his overboard flying around her.

N°27 - at [34:37] you'll see the young Powder from N°21 way more clearly!

The Jinx Monckey-bomb. At [30:58] ; [31:55] and [34:13] you might see the Jinx Monckey-bomb more clearly as the pictures are in better quality or more focused on this area !

N°22 [32:06] : I forgot to mention it in the video but in that drawing-reborn scene with Silco, you can actually see fingers/a hand (drawn by the Jinx mouth from N°28) pushing on Jinx’s skull/in her hair which seems to be pulling her under water.

More stuff about the Get Jinxed painting and the Devil Jinx one : on top of the Get Jinxed painting, there is a scary white mask/face that I believe to be representing Silco. When you turn the picture upside down, and try not focusing on that mask, it then gives off the Devil Jinx I showed earlier.

Also, the big yellow/bewildered eye in the middle of Jinx chest in the Get Jinxed painting could be representing the Eye of Zaun, as this a tech-nerd Jinx being represented here, and as Ekko is represented staring/spying on her, it could imply that Ekko has recognized Powder in her in that moment, the Zaunite child with whom he grew up with and whom he loved.

End note : I forgot to mention it in the video but there are also 2–3 Vi representations on the Jinx paintings, one from the scene where she left her on the street and went to calm herself away from her, and another with her head and shoulders down, on the main Jinx painting on the left, that looks like the Vi introducing scene from Episode 4 in the prison.

OKAY INSANE. Next I’m gonna give you some screenshots I took so y’all can get some visuals to the stuff you just read. Also, WATCH THE VIDEO!!! The creator does a lot better at exposing than I do—never mind the fact that this is literally their findings! (I didn’t find any of these, just watched the video and now spreading it to tumblr). I have absolutely no recollection of which N• photo these images belong to so you’ll have to play connect the dots lmao

A lot of the images also already have text on the screen explaining, I’m just gonna paraphrase what the voice in the video (not the text) is saying.

These two photos are telling us how Ekko’s down bad ass based the entire firefly logo off of Jinx and her logo… and for the context in the first image about the emboldened Z, here it is:

PRACTICALLY IDENTICAL.

This is the video creator explaining their level 1 billion brain power on thinking outside the box and how the idea of the painting was to go back to an Ekko origin short that came out YEARS before Arcane did. They’ve been planning this entire time, and when the description pasted far above talking about the different photos it was talking about the images painted on a wall in an Ekko origin (will show screenshots next)

The creator of the yt video found almost FORTY Jinx paintings and references to Arcane (which hadn’t been anywhere near its release date when the origin came out.

These ones on the large wood slab are CRAZY. The artists and develops had loads of fun because in the last photo you can see jinx screaming/crying if you focus on all the colours in the photo.

However, the YouTuber blurred Jinx’s face to hell you focus on the blues and pinks where the developers/artists made kind of like a moving mini scene that moved while the video itself moved. To my understanding you can see Jinx boxing and at some point Ekko shows up, too.

(I’ll repost this so I can add more images 👍)

[midnight1nk]

So, this week's episode...

[Spoilers below cut]

save me SMG4 episode save me

(the following is my live reaction:)

moo-stache moo-stache moo-stache

why do I feel like Pedro's going to be here?

"bruh Pedro was just a one-time thing." they literally killed off Mickey, ANYTHING can happen

KAIZO YOU'RE BACK HI

OMG please tell me someone from the Team saw this fan animation and put it in the episode as a nod to the animator, that would be awesome!!!

btw great fan animation, go check it out if you haven't [link]

YAYYYY, c'mon Mario you gotta spend time with your brother :)

also I need to find a playthrough of this game while I work

whoops my hand slipped [*makes 4 say "I should've chosen the USB over you, 3"*] :)

Hey Shroomy :D ....oh *western spaghetti flashbacks*

like seriously, I can't hear that audio the same way again

helicopter helicopter (copter)

oh hey swag *he fades away* NOOOOOO

well, digging did (mostly, sorta) help the last episode

OMG HI HI HI MY SILLIES

Three, why are you here if you think it's stupid? unless... 🫵 🏳️‍🌈⁉️

it's giving "I'm only here to support my boyfriend's interests", like I'm starting to believe that they truly are dating behind the scenes

they're on a date, your honor 💙💜

and there they go bickering again smh /affectionate

I'd like to think that ever since Four drives a forklift, that's just his method of transportation. screw the car, we're taking this baby out for a spin :)

Mario, you need to be ✨forklift certified✨

sorry, just Three's gayass poses give me life

actually yeah why is the line not moving?

the boys :)

also that walk animation tho

HOW LONG IS THIS LINE?!

also c'mon Three, show us your dance moves :D

oooooh that editing i love that

THAT'S WHAT I'M SAYING

now that they've mentioned it, why are there so many conventions happening at the same time? hmmmmm *game theory theme starts playing*

SMG3: "Maybe they're lining up to go to your mom's house. That line's usually pretty long." DAYUM THREE

"the line doesn't end" ayo wtf????

shroomy, you've eaten mushrooms before and you had no problem with that

....it really is the end of the world huh

ONE WEEK LATER?!?!?!?

"there is no end" "the end will come" me, sitting in the corner: hmmmmmmmmm

whelp, it's confirmed, I kin Four now

Three's not going coo co crazy, he's just vibin' :)

THIS IS WARRRRRR

this whole fighting scene omg it's SO good!

....WOTFI? ok no :P

AWWW THAT WAS ACTUALLY SWEET DUDE

CAN WE PLEASE GET A HUG? FOR ME SPECIFICALLY?

.... yeah uh Boopkins, you're going to have to explain what the hell you mean by that

not that it's surprising, we've been through a lot. just another Tuesday (or Saturday in this case)

MY HEART CAN'T TAKE ALL THIS FLUFF

HUG HUG HUG

THAT'S MY BOYS

RAVE PARTY [*dances*]

....sonic, is that you? sorry, my mind is still in the sonadow generations phase so I can't unsee them

:O wait, Boopkins, what did you mean by that?

MARTY?!?!? WTF

SMG4: "Don't worry, Mario. There's one way we can fix this." Beat the shit out of him...? YEAH I KNEW IT HAHA

*explodes*

and congrats to samgagmincho for your art featured at the end credits 🎉

.・-: ✧ :--: ✧ :-・.

This was a fun episode, I loved it!! Seeing my boys is always a plus and I appreciate the return of some side characters. With how the world is right now, I really needed this episode. So, thanks Team, for keeping my spirits up.

I just enjoyed watching my silly little guys doing silly little adventures. Traffic is a nightmare so I don't blame Mario in the slightest. Anyway, 3 and 4, how was your date? /silly

Can we just talk about the animation? It was so good!!! You really see the quality they put in, especially in that fighting scene. I didn't expect MARTY of all people to be the cause of all this. I honestly thought it was going to be a gag of something harmless just being in the middle of the road for no reason (like a turtle or smth) and the Crew being like "ARE YOU FREAKING KIDDING ME?!" but NOPE, Marty was here and apparently A SORCERER?! I really shouldn't be surprised, what am I talking about here. And ofc the OG duo immediately beating the shit out of him is so fucking funny to me. He didn't die (I know that), but he's definitely going to be more relevant in the future.

...puzzlevision 2? ok I'm sorry

SMG4 show and jokes aside, I hope you all are ok. No matter what happens, we'll stick together. Don't give them the satisfaction that they want. You aren't alone, and we'll keep on fighting.

Going to be a Sonic fan here, Sonic 06 is famously known to be... augh. But there is a good moment with Shadow that I think is relevant now:

Mephiles (the villain of the game): "It's futile. The world will betray you. Why fight at all? Why risk your life for those who will persecute you later?" Shadow: "If the world chooses to become my enemy, I will fight like I always have."

Take care, my dear fellows, and I'll see you all in my next post!! Hmmm, there is "no end" [*game theory intro plays*]

[silver-tooth-the-panther]

Okay Y’all… (SPOILERS AHEAD.)

I just finished Pastra’s Jeff The Killer rewrite and HOLY SHIT!

I remember growing up on creepypastas. I watched video after video, audio after audio, and enjoyed every minute of it. I watched Creepy Gaming and HoodHoodlumsRevenge mainly and I came to know many different creepypastas. Fan-art and fan comics fascinated me and I even drew Tails Doll in my school to activate the Tails Doll curse. My obsession even went so far as to attempt to make a Tails Doll plush and even me and my friend made a shitty Sonic.exe plush.

As I got older though, I realized that most of the really popular creepypastas were complete shit. Granted, there were some good ones like Ben Drowned and No End House, but most of them were just lazy and romanized murder and other vile topics. Jeff The Killer was no exception. I’ve seen many people complain and be frustrated by how popular it was while masterpieces like Psychosis and The Showers were more underground. I remember every major criticism that the story had that completely tore any believability away from it.

But then Pastra rewrote and reworked the story. What once started as a story written for the sake of being edgy is not something genuinely terrifying that kept both me and my brother at the edge of our seat. Every criticism of the original was taken accounted for in the rewrite. From making Jeff’s appearance more realistic, but still iconic, to making it make sense why Jeff would “snap” and all the way to making it make more sense why Jeff was able to overpower people. Everything was considered.

And you want to know what the cherry on top was? It was the plot twist. The fact that Jeff didn’t snap at all. He was truly psychotic and not like a campy movie, “kills anyone they see”, psychotic, but a realistic and has a goal in mind psychotic. The ending was absolute perfection as we finally get to see Jeff’s point of view and his planning. The best part? That’s easily the fact that we don’t know who made it out alive.

Pastra, if you end up finding this, I want you to know that you are an excellent horror writer and have clearly done your research on this topic. I really hope it gets as popular, if not more, than the original and it gives me a lot of hope for your future projects. Take care of yourself and remember that you’re extremely talented.

[dervampireprince]

ASMR | Marvel - Logan Howlett x Listener SFW Convincing Logan He Deserves You

[M4A] [Established friendship] [Feelings confession] [Insecure, low self worth Logan] [Main timeline X-Men Movie Logan, takes place in the mansion, implied you're a fellow mutant and X-Men member] [You call Logan 'babygirl'] [No seriously you do] [First kiss] [Also ambiguous enough that instead of yourself you could imagine some of the Logan ships of your choice eg Morph, Kurt, etc, he's being too nice to you to really imagine Wade]

I did my best okay, I am incapable of growling, I don't know why but I literally cannot growl, and without the growliness I'm not sure if Logan sounds like Logan but I tried. I'd been thinking of voicing him for weeks since I've always loved him and I've loved seeing the flurry of art and fics for him after Deadpool & Wolverine's release. But I felt too insecure about my voice and dysphoric to try and voice a big, beefy, gruff man... But a Patreon member requested it and we've talked a lot about Logan in our Discord server and I just deicded I wanted to try.

So be nice, bear in mind this is a trans guy who's not on T trying to do this voice, I am sort of scared that new people will find this audio and pick on my voice or dislike that I'm trans but we'll deal with that if it happens, hopefully it doesn't but I've had my fair share of horrible experiences with Marvel fans. Though, am loving when people headcannon/draw/write Logan as a trans man, that's been really meaningful to see. I think most characters that get headcannoned as trans men can often be shorter, slimmer, more androgynous men and it's less often we see big, beefy, stereotypically masculine characters get the trans headcannons with with both Logan and the Call of Duty boys getting those headcannons sometimes it's been really nice to see.

Anyway, this was based on a Patreon request, Mothy asked "also this is only if u want bc i know u like Wolverine, maybe comforting Logan from a nightmare ??? OR just a general confess feelings and he’s scared he wont be able to protect u but ur like “no bbg ily”"

No time to draw the thumbnail as I'm doing a lot of work in a short time as I'll be away for most of October (but you won't notice a difference as you'll still be getting 3 audios a week as usual) so no time to get this one draw, this is an image from the first X-Men film.

.

Old public spicy audios on sound gasm (link in pinned post). 2 Exclusive spicy audios on Patreon every month. I also stream on Twitch every week @ dervampireprince . [minors + ageless blogs dni. this blog is for 18+ only.] [do not repost/reupload/edit any of my content]

[pineapplefulfillseveryneed]

Annette (the original Sparks pre-movie 2013 version)

I've been waiting for this to be released since my early days as a fan! I've not seen enough hype about it out there and I think that is because there's not been a lot of info about this to put things into context for newer fans. So let me remedy this!! (I know they've added some more info in the newsletter but I don't know if everyone gets that.)

At the end of the THOM era Sparks started teasing us about "the new album", which would be in a similar format to Bergman as it was also a full story in audio format. They were fully intent on touring it as a 3-people live theatrical performance with them + Rebecca Sjöwall performing the roles. (They would've liked to tour Bergman as a live performance as well, but logistically that wouldn't work so they were excited about this.) … And then we stopped hearing about it. Until the first news about the film came out!

I've seen people refer to this as a demo or even a mockup album (?), but let me set the record straight: what we have here is the FINISHED Sparks album for Annette! This is what would have been the new album in 2013, the original story for Annette, exactly how Sparks themselves created it (before the film collaboration with Leos Carax). For the film some things were changed, for example I think Carax said that a lot of the irony and humour wouldn't work in a film so that aspect of it was mostly taken out. AND NOW WE GET THE VERSION WITH THAT IN IT! I kid you not I had to be one the phone with a friend to yell about it for 2 hours straight, this is one of the most exciting things to happen!!! (Also, Annette being a literal singing pram? R&R remain the funniest guys alive - this is SO GOOD! I'm so hyped about the beautiful art by Galen Johnson, too! (Who also did the art for the THOM era, and was one of the directors for some music videos over the last few years.))

What we get with this release is Russell as Henry McHenry (and believe me, YOU WANT TO HEAR RUSSELL PERFORM AS AN EVIL GUY), Ron as the conductor as well as some other voices (RON ON VOCALS, THIS IS NOT A DRILL!), and the wonderful vocal performances by Rebecca Sjöwall as Ann/Annette (she was the Hollywood starlet on Bergman and she also sang on Life With The Macbeths - a highly relevant song in reference to this release we're getting, I think, "each murder the ratings soar"). I am a huge fan of the Bergman album, but I'll be very honest and say that while I love their choice of accurate voices to tell the story - the most beautiful voices out there are Ron & Russell's and that's the only thing that might have made me love the sound of The Seduction Of Ingmar Bergman more. And now we're getting that! This is them taking on the roles of the characters they wrote! I love it when they're acting, because honestly they are really really great at it!

[SPOILERS IN THIS PARAGRAPH] Russell Mael - looks like a cinnamon, can actually kill you - will be committing murders, Ron - looks like he could kill you, actual cinnamon roll - will once again not get the girl as the guy portrayed by his brother takes her away from him in more ways than one. (Fuck I still so wish I could've seen this on a stage.)

Also there will be songs we've not heard at all, there will be songs that might sound very different than what we've heard in the film, the story ends differently (and I personally really like that). …I don't know what I'm most excited about, I JUST CAN NOT WAIT. While I'll forever be curious what their stage performances would have looked like, I'll not have to remain curious about what the album and their original version of Annette would have been like. Because here it is!!! :)

I say this without slandering the film, but this version of Annette is the one that's going to hit me hardest. (I am calling my 2013 self to tell them the good news, holy hell!)

As a final note, here's something they've shared in the newsletter:

"Writing in the sleevenotes of this boxset release Ron and Russell Mael have said "...we feel that this earlier version of Annette should be listened to not as the preparatory or demo step toward a filmed version, but rather as a complete and alternative version in itself. We are very proud of it.”

[lauravian]

hi! I just wanted to say a big thank you for your "I don't want to lose you" merthur post.

firstly, the art is INCREDIBLE! like, wow, I love your style! I was so happy just reading the script and then I realized there was a video with the audio??? the way you put it together is fantastic. I've tried splicing audio together like that before and it's SO FREAKING DIFFICULT, especially getting it to sound that clean and natural! definitely an underrated and underutilized skill in fandom, my gods. usually fan videos consist of putting a few quotes in and having the music over everything, which can still produce incredible results, but like... wow. just wow. you did amazing.

secondly, the thank you part, I just wanted to express my gratitude that you put this thing into existence. it's honestly the first fandom thing that's made me that happy in a while. I was squeeing and happy stimming and everything! it seriously brought me a moment of joy that I needed, cause my depression has been pretty bad lately. it definitely brightened me up. (like, "we begin again" excitement.)

anyway, sorry if this is a bit awkward or weirdly worded 😅 just wanted to let you know that it really meant something, cause I know how much a comment like that would mean to me.

I wish you all the luck in creating things that bring you joy, and may artist's block never stress you out too much!

You have no idea how much I needed to hear this, thank you so so much ❤️

I struggle with depression a lot too and I’m really happy something I made managed to brighten someone’s day. I wish you nothing but happiness! Here’s a sketchy little magic boy for you 🫶

[spideyhexx]

sam woodbridge fact sheet

a long overdo list of random facts for sam (an OC), enjoy <3

Samuel Alexis Woodbridge (s.a.w., yes those are his initials)

age range 26-29 ish??? Never discussed, but this is what I have been envisioning.

Pitcher for the Yankees (undetermined on the team, but that's what we last talked about)(his number is 47)

Has four sisters, two younger, two older.

Originally from a small town in Maine, but now permanently lives in NYC

Has one earring and a nose ring (both silver)

one time got a tongue piercing on his off season and loved it

His teammates gave him the nickname, "Woody," yes because of his name, but also because he got a boner in the middle of practice when he was a rookie and he hasn't lived it down since

Went to college, played baseball there, but also majored in sports journalism and minored in fine arts

Was usually deemed a class clown in school, was a theater kid in high school just for fun

Deep sleeper

Loves taking pictures with a digital camera

Super talkative. Sam is outgoing and friendly, just loves conversation and new people

Love languages are physical touch and quality time

Will be a full on slut for you

Any and all photoshoots of him have a silly vibe

JUST A SILLY GUY!!! He doesn't take himself too seriously, and sometimes he's okay with knowing when to tone it down and be serious, but once in a while, misses the cue on when to stop and actually be serious

Absolutely loves Sabrina Carpenter's music, but otherwise, most of his music is all from the 90s in a variety of different genres

Dresses casually, lot of jeans, t shirts, sweaters, crewnecks, henleys, etc. A good baseball cap, sneakers or work type boots.

Sends voice notes and middle of the day selfies no matter what he's doing

Shuts down during arguments and has a little trouble communicating in those high emotion moments, which leads to ignoring the situation for a little bit

Which also leads to him brushing off some emotions he's feeling and using humor instead

He is online and a fan favorite of the team

Was always an athletic guy

Is an Eagle Scout

Did a manscaped ad once

His family has iconic christmas parties

Penguins are his favorite animal

Only into baseball, he doesn't care for any other sport (besides maybe mini-golf and bowling)

Loves tender love-biting (reciprocating and receiving)

An overdramatic man when he has a minuscule cold

Got his nose ring piercing because his sister was scared to get his ear pierced and he made the deal he'd get a piercing with her

His favorite snack is three oreos

has texted "prepare your panties," on multiple occasions

Huge hsm2 fan

looks like a fuckboy sometimes, but he's nowhere near that, he really is just a sweet guy

muttering tiktok audios 7 times out of 10

More dominant than submissive in bed, but only focused on both him and his partner having a good time

One time shaved his hair into a buzzcut and bleached it like his other teammates, but never again after his family's (and you's) reaction

Curses a lot (favorites are; fuck, motherfucker, dickhole)

Will make a tiktok with his friends and partner

definition of gentlemen in the streets, freak in the sheets

[santacoppelia]

Of fandom, age, and David Tennant being our own personal Time Lord

I read the fantastic post that @davidtennantgenderenvy wrote about David Tennant and aging (if you haven’t yet read it, go for it!) and, as a fan who is closer to DT's age range than to what seems to be the rest of the fan base's age (yeah, being well over 40 is A THING), I had an interesting mix of ideas and emotions. I was going to just reblog her post with some of these musings, but when this started getting longer (and I started searching for bibliography, ha), I decided that I was not going to hijack her post, but rather cite it (and reblog it on its own right, really, read it). I should say that this is a long essay, and it comes peppered with references to one of my preferred fields of study (but I make it light and fun, promise).

Becoming an “old geek”

The first time I came into the idea was when I found a thirst TikTok with that very nice audio that goes “I think I need someone older…” and clearly, the thirst was there, but also… David is 8 years older than me, and when you are 45, thirsting over someone who is 53 doesn’t feel as “edgy” (and thinking about “needing someone older” starts verging on thirsting over people well over 65, which is absolutely fine, but a very different category over all for the rest of TikTok). So yeah, it was weird. You see someone who you feel is "in your range" and everyone is calling them "old"… And you start thinking about aging, inevitably.

Of course, I "don't feel old", but most of my friends are younger than me, and I'm the oldest person in many of my "fun activities". Take, for example, my lightsaber combat team, where every sponsorship is pitched to people under 30, and you should be training at least twice a week and following a strict diet to reach the expected “competitive or exhibition” level (enter the “old lady” who is taking this training just for fun, who needs to take care of her joints and who is not going to be invested in becoming Jedi Master General or anything of the sorts in the near future). Or we can talk about the expectation about fandom in general being a “teenage phase”, and thinking about everyone who still is into it actively after certain age as “immature” or “quirky” at best (hi, mom! Hi, work colleagues! Hi, students!).

Society, aging and social constructs

Of course, this has a lot to do with societal expectations. For almost 80 years, popular culture has been built around "youth" and "young people": before rock & roll, most things (music, clothes, movies, art in general) were targeted to “adults”, and you were expected to be “a functional adult” since a younger age. There was a seismic shift in the way popular culture was built when consumer culture decided to see and cater young people: trends became shorter, being “hip” was desirable, staying younger for a longer period was a nice aspiration (a good, light reading to get a deeper view around this is “Hit Makers” by Derek Thompson. It is written for marketers, but that makes it an easy historic overview and I like that). This has a lot to do with the change of our view about old people, too: while being old 100 years ago (yup, 1924 still fits the bill) made you “a respected elder” and you were expected to be wise, to know best, to be the voice of reason and an expert, nowadays not even us older people like being seen as “old” or “older”.

Frequently, culture becomes entrenched in binary oppositions. The binary opposition between “young” and “old” is… well, old! And while the opposition is sustained, the meanings around it change over time (that’s what the past paragraph was about, really). If in the 1940’s being old meant “mature, respectable, wise, responsible” and being young meant “inexperienced, immature, foolish”, after the 1950’s those meanings shifted a lot: being young became “fun, interesting, in the now and in the know, attractive”, while being old was about being “boring, dusty, passé, uninteresting, dull”.

In reality, being young can be a mix of all of these things (inexperienced and fun and foolish and attractive), and being old can be, at the same time, being responsible and wise and a little dusty and dull, because that’s life *shrugs*, and the wonder of lived experience is that, even if we simplify it, it is complex and rich and sometimes contradictory in itself: we can be old and foolish and interesting and boring, or young and dull and inexperienced and attractive. But, as we need to make “social sense” of things, simplifying them is… easier. That’s why we build stereotypes, and why we use them! We need to have a “base” of signifiers to build upon, so we usually take what we have on our environment and run with it. If you find this idea interesting, welcome to the world of cultural semiotics! *takes her Iuri Lotman picture out of her pocket and puts it on the desk*

(Iuri Lotman, people. He is my "patron saint").

Pop culture versus “real culture”

Another cultural opposition that piques my interest in this area is the notion of “pop culture”, of course. It is opposed to “real, serious culture”, the sort of thing that everyone expects "older, mature people" to enjoy. In the sixties and seventies, there were a lot of studies and writing about "high brow" and "low brow" culture, trying to keep this distinction between "things that make you familiar with the now, but have no intrinsic value" and "eternal things that cultivate your mind, soul and spirit".

Evidently, if you ask me, this is a whole load of horse manure: probably useful to fertilize other things, but with little intrinsic value on its own. My main point is not dolphins, but the idea of culture: historically, it has used to mean a lot of things; from the notion of (exactly) fertilizing something and making it grow to make it come to fruition, to the hodgepodge of practices that a social group creates when they are together and are trying to make common sense of things.

I like the latter better (that is the one I’d ascribe to if this was The Academia TM, but this is tumblr!), but another popular definition, which comes from the Illustration and has been quite prevalent, is the notion of culture as the set of cultural practices that make you a better, more intelligent, far more educated person. For example: if you want to have real culture, you have to read Shakespeare and know what a iambic pentameter is, rather than watching “10 Things I Hate About You”. You must read real books, not listen to audiobooks, and “real books” should be written by “serious authors” like (insert old white Western European or American cis men, preferably born before 1960).

Here comes the notion of “cultural canon”, grinning widely. Yup, that set of practices becomes an expectation of what and how you should experience any area of the human experience, and they become a sort of “nucleus” of the whole experience, with people playing “defense” around them and culture shifting all around and sometimes across them. This is not exclusive to “high culture”: Have you ever heard about “gatekeeping”? Yeah, same fenomenomenon (Shadwell, of course). Whenever something gets this “shape”, it becomes a “norm”, the “common” thing, the “rule” if you participate in that set of cultural practices.

As every cultural set of practices tends to generate its own “canon”, they also have a lot of practices surrounding it, which are ever changing, shifting, learning from new and old practices, and redefining what everything means in their common/shared space. For example: Neil Gaiman, my beloved, was part of the “comics” frontier when Sandman first appeared, but as he and Alan Moore (yeah, I know he did it first, but Gaiman is my study focus right now, so let me be) and other very talented and interesting people started creating fascinating stuff that hadn’t been done, and they found people who loved it, they not only redefined the world of comics, but became part of the new canon themselves. And then, Neil’s presence in the world of literature and fantasy became widespread and recognized and then revered… And then he is doing it again by adapting his own work to a streaming platform in a serialized way… I hope this explains why I’m growing an obsession with studying Neil Gaiman as an author who crosses through different media: a transmedial auteur, an anomaly in his own right. But that is not an essay for tumblr, but a thesis, one that I don’t know if I’d ever have the time or mental resources to write (being a runaway ex academic with ADHD who works on their own is hard, people). Besides, this was about aging and David Tennant, so let’s cut this tangent short and start talking about our Time Lord and Savior: David Tennant, the king of frontiers.

David Tennant as a Frontier Lord

David Tennant is another fascinating case in this sense, mostly because he is an actor who has been able to build a whole very impressive career through crossing symbolic frontiers. Through his massive filmography (161 roles just for screens, as registered in IMDb) and his stage career (I love this gifset for this exact reason), he has acted his way through almost everything, from classical Shakespeare to improvisational comedy, from procedural police drama to wacky fantasy sci-fi. This has a lot to do with his personality (he loves acting, he decided to pursue acting as a career thanks to his love for Doctor Who, but he is also smart and inquisitive) but, as it happens with a lot of “frontier figures”, it also has a lot to do with “unpredictable” circumstances: less of a strategy, more of an instinct.

David has talked many times about how his impostor syndrome made him feel, for the longest time, that he had to keep accepting roles, because you never know if there is going to be another one after. He is talented and open and curious (this is quite a good interview about his perspective), but this… anxiety? meant that he had also lower quandaries about saying “yes” to roles and projects that were “less consistent” with a typecast (which has been, for the longest time, one of the main strategies to build an acting career). Yeah, he has some defining characteristics that make a role “tennantish” (I’m not starting that tirade here, but yeah, you know that almost fixed set of quirks and bits), but he has also worked his way through many different genres, budgets, styles and complexities. And he has usually been as committed and as professional in a big budget-high stakes-great script sort of situation, as he has been in a highly chaotic-let’s see what sticks-small scale project.

That can be correlated by the way he talks about “acting advice”. “Be on time, learn your lines, treat everyone the same, never skip the lunch queue”… Acting is a job, and he treats it as such. Yeah, he looks for interesting projects anytime he can, but the “down to earth” attitude about it is, once again, not-usual, not-common: pure frontier. Then, when David talks about his own self (specially at a young age), he is pretty clear about his “outsider” or “uncool” status (this interview is fantastic), and how strangely disruptive it was to become not only recognizable, but cool and sexy and… everything else, thanks to Doctor Who. He went from living in the frontier to being put in the canon, but he is still, at heart, a person who is more comfortable not defining himself by that “expected” set of rules.

Him being a very private person, who insists on having a family life that seems, form this distance, stable, loving and absolutely un-showbiz just makes the deal (and the parasocial love and respect) easier to sustain; as does his openness to talk about social and political issues that interest him (passionately, again; against the norm for “well liked celebrity”, again). His colleagues also talk wonders about him, mostly because he is this sort of down-to-earth but also passionate about his craft and easy to work with. Again: not the “norm”, not the “rule” of being such a celebrity.

Many of his fans (should I say that I’m one? Or is it obvious at this point?) find this not only endearing, but comforting: he is a massive star, who has acted in a lot of terrific roles in huge productions… But he feels, at heart, as “one of us”. But he is, also, a well-respected thespian, a Shakespearian powerhouse, an international talent. He lives in a very authentic, but very unstereotipical frontier. And he seems happy about that and has made a career from it. Extensive kudos and all the parasocial love and the amateur-actress mad respect for that.

I should mention, just in passing, that a “natural” archetype for this characters that traverse frontiers… are tricksters. Think again about the “tennantish” characteristics. Here goes another essay I’m not writing right now.

Aging: The Next Frontier

This takes me to the original post that inspired the essay: living in a culture where the “norm” is “being young and famous is a desirable aspiration”, we have a fantastic actor, at peak of his craft, who is in the heart of middle age (past 50, nearing 55). Not only that, but he is an actor with whom at least a couple of generations have grown older: from the ones who feel him as “our contemporary” to the ones who grew up looking at him (like Ncuti Gatwa!).

David, being the frontier person he is, has been navigating this transition in a very “unconventional” way: he came back to the role that made him iconic (The Doctor, now with more trauma!), is starring in another fantasy series about middle-aged looking ethereal beings that at times is an adventure thriller, at times is a comedy of errors and at times is a romcom (having another beautiful trickster of a man as his co-star… There goes another tangent that is an essay); he is playing one of the quintessential Shakespeare roles for middle-aged men (Macbeth), and is, seemingly, having a lot of fun doing a lot of voice acting for animation roles (if you haven’t watched Duck Tales, you’re missing a whole lot of fun, really).

Traditionally, middle aged actors navigate that period of their career trying to reinforce their “still young, thus a celebrity” status (for example, doing a lot of action-packed movies and keep doing their own stunts while seducing women 20-30 years younger than them), or strengthening their “prestige thespian, so now a real culture person” position (fighting for more serious roles, going from comedy to drama, or working their way into The Classics©). Sometimes, they face the internalized societal expectation by also becoming a shipwreck in their personal life (yeah… the stereotype of “getting divorced, having an affair with someone half their age, getting another red convertible, getting in trouble…”) because we don’t have a good “map for aging responsibly” yet as a society. We have been so focused on youth, that we have forgotten how to age.

Again, switching to the personal experience. I was raised as a female-shaped person (yeah, being queer is fun), so part of the experience of growing (and then growing old) has been closely related with that concept from the female point of view. I decided, pretty early on (but not so much, probably 25 years ago), that I wasn’t going to conform to the norm… And that included aging naturally. When I found my first white hair, it was a shock (I was 21 or 22), but I had already seen my father fighting his own hair being white since forever. I decided it was a loss of time, money and effort… And the judgement from people in my generation and in the one that preceded me (my mother, my aunts) was stern and strict: “it will age you, and it will date us. You shouldn’t do that”. Men could do it, given the right age (being over 50) but women must not. Same with wrinkles and sagging and gaining weight and getting “pudgy”. But when men grew older, they needed to make a “show off” of their ability to seduce, to “still be a man”. Aging, then, was undesirable by any standard.

As me and my peers have grown older, and my hair has gotten increasingly silver, there have been women that come to me saying that “I look great” and “they wish they were as brave as me”. I would like to state in front of this jury of my peers (hi, tumblr!) that the only bravery it took was deciding, somewhere between my twenties and my thirties, that I wanted to be as myself as I possibly could, so no bravery at all, just the same lack of understanding of social rules that took me to become interested in… you guessed it, cultural semiotics. We’ve come full circle with this. Now, let’s finish talking about what it means for an aging fan to have an aging star to look up to, shall we?

David Tennant as a cultural Time Lord

I am pretty sure that he wouldn’t have chosen this role for himself (as he wouldn’t have chosen being a massive star just by playing his favorite character and being so talented and charming), but he is, as Loki would say, burdened by glorious purpose. Being “the actor of his generation”, and him crossing so many frontiers with such ease and grace, without even thinking about it too hard, just because he is a hard worker and likes to try new things and is just so good at what he does put him in the exact cultural crossroad for it.

He is not in a sudden need to “resignify himself” as anything: he has already shown his very flexible acting muscles through his very long career. He is not bounded to “keep his public image relevant”: he likes to have his personal life clearly separated from the spotlight, and being married to the brilliant and funny Georgia, who herself grew up with a famous father, so she is no stranger to staying sane and in control in the eye of media, and who manages their social media presence with a good mix of humor and well-set boundaries.

Therefore, he is in a moment where he can (and probably will) chose to do whatever he likes. And he has the public support to do so: he is prestigious and respected, but likes to make fun of himself and is not self-important; he has a lot of awards, but he is also a very likable person with whom most people in the industry enjoy working. And he is up to do a lot of things: heroes, villains, morally grey characters; romance, drama, thriller, fantasy, sci-fi, procedurals, historical fiction, classic plays, silly parts, voice acting… We are going to see him aging on screen and stage, with no playbook: the playbooks were written for people that certainly are not him. And I have some evidence to prove it.

He is starring in a groundbreaking series (yeah, Good Omens) where the protagonists are two middle-aged looking entities, full of queer relationships, written by another trickster. This series, in an on itself, is a showcase for characters that are rule breaking in many ways: in the narrative, by being hereditary enemies who are inevitably linked to one another by a loving bond that may or may not be romantic, but that has been in the making for 6,000 years; in representation, by having the protagonists being represented by a couple of middle aged actors who are “not serious” and “not action” coded, in a role where they are delivering romance, banter, intrigue, joy and a whole other range of emotions that are “not your stereotypical” middle-aged male-lead coded.

He also delivered the baton on a relay race with Doctor Who: he came back after almost 20 years, to bring back the generation who grew up watching him in the role, and deliver us into the arms of Ncuti Gatwa’s 15th Doctor, with the promise of taking a rest and working on getting better from all the trauma The Doctor has endured in 20 years Earth-time (which, as any Doctor Who fan knows, account for centuries of trauma in Doctor’s time). Not your usual Doctor Who Anniversary cameo, but one built to deliver some zeitgeisty emotional health promises that made the specials feel… healing. At least, for some of us.

Even when it wasn’t the hit series it deserved to be, his Phileas Fogg in “Around the World in 80 Days” is also a great delivery of an unconventional middle-aged protagonist, who goes from meek and scared and too worried about societal norms, to a lovely, tender, slightly awkward and daring person, with friends half his age who look at him but are also his peers (another kind of relationship that is not very frequent in media).

And, with all fearlessness, he has played a lively old duck in Duck Tales! Scrooge McDuck has never been a middle-aged character: he is, quite openly, an old gentleman. An adventurer, quirky, with a lot of spunk… but also quite clearly an elder to Huey, Dewey and Louie, and obviously older than Donald Duck (who is also not a young adult himself!). When you watch that series, and if you have the opportunity to catch any glimpse of him behind the scenes while recording the part, you can feel the joy he got from playing the part (and he has said time and again that he IS Scrooge McDuck, so it will become his “recurring bit” for the future).

Hopefully, David (and some other actors and actresses, for sure) will dare to build that new “aging publicly without making an arse of myself” playbook, and I (and I can imagine, many other fans in our middle age, but also fans that are right now leaving behind the “young adult” stage and becoming “adults” fair and square, and others who will arrive to this place at a future time in their lives, so I hope) will be there to bear witness, support, cheer… and learn from the model. Because that’s what fandom is about, but also because that’s how culture itself gets shaped and changes, continuously. And that is exciting and a little scary, and that’s why it is better if we do this together.

And I'd love to imagine diverse (in the full sense of the word) role models for this process and this playbook, too!!!

If you read all the way through this, I'm very grateful, take a cookie, have a gold star and suggest names for our aging interestingly role models on the "non-white-male" side of things!

Class dismissed!!

[seeingivy]

bsfs older brother sukuna asks!

HI SWEETIE BABY! THANK YOU SO MUCH FOR YOUR SWEET WORDS LITERALLYYYY WTF. literallly it makes my head ginormous anytime someone tells me they read either my aot/jjk without having watched the shows or the characters like LITERALLY im just a girl wtf this is literally insane

ok ngl I was really irritated last night when I got that comment bc I genuinely do spend a lot of time on chapters - especially with trying to make dialogue that hits and a story that's interesting? and out of everything it was like one sentence that got fixated on and they were like yeah that's toxic I hope he gets over that. and then like after twenty minutes they edited the comment like still love the story tho! ike I will kill you (gothic font)

but anyways I saw this last night before I went to sleep and I was like THANK YOU YOU ARE SINGING TO MY PRAYERS RN and it made me feel way better I was really annoyed and tldr I love you

@telepathicheartss my sweetie angel pie you could literally never annoy me. literally one of the reasons that I love to write this fic as often as I do and why i've like lengthened it out (mind you the first chapter was a oneshot) is because people interact and talk to me about it and that's everyting as a writer 1

mini sidebar but I read this whole post lately about the reader/writer relationship and how fics used to be generally viewed as a craft and art rather than something to be consumed like they are now and people would genuinely interact and discuss as opposed to just commenting and asking for a part two and silent liking. tldr it makes writers entire world when you interact and gush and it makes me SOOOO happy. so many of my favorite writers have left bc of how razor silent it can be on tumblr sometimes, so just know you should never ever feel bad for it!

SOOOO GLAD U FEEL SEEN BY THE Y/N CHARACTER. randomly this is my most criticized story? and one time someone told me I gave y/n too much personality LMFAO so this also makes my day that its actually like someone seeing it as a full character that they find relatable instead of like a lifeless blob

anyways thank you again sweetie pie I love you sm 😭💌

SO REAL! (also sorry)

we are all y/n, we chant in unison

@wishmemel I get random spurts of such high quality hyperfixation and writing that I like that I start acting like im a fanfiction factory (and it's SO FUN I PROMISE this is literally a hobby to me and it never feels like work)

(i love you too sweetie pie i hope you're doing well <3)

@pickuptruck01 literally I am ur #1 fan ur always so sweet and I love you im SOOOO glad you're still here writing this goofy story

THIS IS SOOOOO FUCKING FUNNY I CACKLED OPENING THIS

(it's a link to that tik tok audio that's like GIRLLL FUCKKK THEM KIDS AND FUCK YOU TOO)

[klug]

So Puyo Puyo Puzzle Pop is out and I see a lot of theories going around… This is half a self-indulgent post for me and half a poorly thrown together essay reviewing Sig and Aya's and the blue soul and the crimson soul's, relationship to each other. because boy is it a bit of a complex web. @_@

Some people were talking about their relationship today in EPPC, and I'm bad at talking to people, so I decided to put my thoughts in a post + touch on some misconceptions (I guess?) around since the game just came out and it relies on knowing information presented in extra material like the audio dramas and the (sega) novels.

And of course, spoilers for the first 4 main routes of Puzzle Pop.

some quick bullet points before I start… you can skip this if youre fairly familiar with fever 2, tetris 2, and the novels

is Aya possessing Sig?!

how did Sig's power get unleashed by Meena? are they super ultra powerful??

no, Aya is clearly still imprisoned safely contained in the tome of sealing, so it probably isn't behind this. We also know in Lidelle's route that it and Klug were having some kind of argument after he ran into Sig.

Well, in the game, Lemres establishes that Meena normally is not that powerful… Rather, it's been a bit implied over the course of the games that his powers have been growing stronger, so I think that it's more that Meena broke down a dam that was already barely holding itself together… a brief timeline…

Puyo Puyo Fever 2 - Sig transfers to Primp Magic School and his hand suddenly turns red. This can presumably be linked to his proximity to the tome of sealing. Akuma attempts to prevent further resonation by using the Ito Hairito enchantment. Attempts at "curing" his hand are touched on in Puyo Puyo! 15th Anniversary

Sig's Secret happens a bit before Puyo Puyo!! 20th Anniversary, and he has the incident of his powers being awakened by Witch's potion. This is the first time we actually see the "Demon part" of him take over, and it turned both of his eyes red when this happened. (src)

Puyo Puyo Tetris 2 - Sig and Klug are protected by a certain power from being influenced by Marle when she's causing mayhem in Primp Town. The crimson spirit was potentially protecting Klug in this situation, but what about Sig? I theorize that his own demon powers, which have been growing stronger, actually protected him as well. (Lemres' substory, PPT2)

Puyo Puyo Puzzle Pop - Sig befriends Meena and offers to share some of his power. This seems to open the floodgates and allow the demon parts of him to take over.

fun fact: The words for "arm" and "hand" are the same in Japanese, so a lot of fans were actually surprised when they saw that his entire arm is red and not just his hand when his art in 20th came out.

Now, with those bullet points out of the way… the meat of this post is focusing more on Sig and Aya/Strange Klug/Possessed Klug/Crimson Spirit/Whatever name you want to call its relationship.

I think most people take the text in the games at face value, though the editing choices in translation don't really help I guess...the first instance of "red power" being translated as "evil power" will never be forgiven, but it's okay since Lemres and Schezo get it right--. I see a lot of people think that Aya is somehow influencing Sig in this story, but it has been established that Sig has the potential to tap into the full power that Aya probably wants access back to in Sig's Secret when Witch's power potion spills on him.

Back then, Sig and Amitie's friendship, and really any of his friendships, weren't very well-defined. However, she was able to bring him back by reminding him of their friendship...

Hey, Sig! …Let’s go back to café prep, alright!? I mean, Raffina’s gonna be super mad if you don’t show up! And then Klug’s gonna go all sarcastic on you again! Do you want that!? And, and, we haven’t even figured out what to put on the menu for our Special yet! If you really want me to, I’ll let you put whipped cream, for real!” I just kept screaming one thing after another as it came to me. Please, please, please… Please, let Sig hear my voice! “Please, come back to us! I promise, we all love you, so, so much! And I know, I know that deep inside, you really, really want to stay with us, too…!”

(src)

He manages to regain control of himself though clearly Amitie reminding him of everything isn't working in Puzzle Pop.

I kind of resummarized the climax of Sig's Secret because it felt important to contextualize his behavior, how its different in Puzzle Pop, and how people tend to conclude that "he must be possessed by Aya" as the first thought in Puzzle Pop. I also did this, though it was because I watched the routes out of order (lol). The behavior of this not!Sig is reckless, power-hungry, very very very gloating (just read the novel), and doesn't see any importance in friendships when it comes to Amitie and Meena (Lemres' route in Puzzle Pop). Meanwhile Aya, who has a very clear outlined goal of getting Sig back is…generally levelheaded, calm, and although angry about its situation, doesn't always charge straight for Sig whenever it's unsealed ("Amitie and Lidelle's Primp Tour", Puyo Puyo!! Quest story mode, etc.) So I think the binary the game presents of Aya being "evil" and Sig being "not evil" is not necessarily true considering how unreliable the narration of the "tome of sealing" is. I find it more accurate to say that they're power/impulse and control/logic, or you could argue they're a conscious and an unconscious.

I theorize that a piece of their original power lies dormant in Sig, and it is this power that Aya specifically wants back because it's…pretty powerless in its current form. This power, possibly the "crimson power", drives the "blue soul" in Sig a bit power hungry when its unleashed, and it has no conscious to control it because the "crimson soul" isn't in the vessel. I also think Sig and the "blue soul" are separate entities to an extent.

“Stop talking… Be quiet, just shut up! Gh… With every word you say, the voice in my head, it…GAAAAHHHH…!” “A voice, in your head? T-That’s gotta be Sig! Hey!! Sig!! If you can hear me, say something!”

(src)

The best comparison I have to this situation is Cinderpelt's reincarnation into Cinderheart in the book series Warriors. Cinderheart inherited Cinderpelt's soul after the latter's death, but because Cinderheart's grown to have her own experiences and is a separate entity while Cinderpelt lay dormant in their mind, they will separate in death. I think this "copilot"-ish situation is the case with Sig and it's why they're vying for control a second time in Puyo Puyo Puzzle Pop.

I think that's why not!Sig is so "evil" and also gives people the impression that it might be Aya -- considering I also thought this -- though it's probably not the case since this story follows a similar formula to Sig's Secret with some tweaks to reflect a lot of subtle character growth, which is the subject of the next section.

Now, people might ask…why aren't Sig's eyes red and his hair dark like they were in Sig's Secret? Well, I think this is due to texture limitations for one, but I also think this is a sign of Sig's personal identity growing stronger over the course of the games. He has relationships he wants to hold onto, his own experiences, his own life, so he wouldn't just easily give up control of his physical vessel, even if he hasn't been speaking as himself in Puzzle Pop so far… This story's already done a lot with establishing Sig as a character and the importance of his relationship with Amitie, and he hasn't even actually spoken, which I find impressive. I also just like that all this stuff is only clear if you pay attention to the steady build up of the stories from the past few years… well, they were just breadcrumbs, I guess...Listen I've been following this plotline for 7-8 years and its been in the works for like 13? So you have to forgive me for feeling happy about having all the pieces of the puzzle.

As for what this means for the role Aya/the crimson spirit will play in the story… I'm not sure. I honestly don't expect it to appear at all since all the models/animations are recycled from Puyo Puyo Chronicle with some touch ups save for Meena. It has been referenced though, and the profiles in-game go in-depth on who it was and is, but I can't say if it'll actually make a fully story appearance…Especially since Klug was relegated to a side story role. Which is fine, I don't really care despite my URL. it was a good story. I do however expect this story to shed a lot of light on the relationship between the Sig, blue soul, and the crimson soul once its complete. I haven't even touched on my personal interpretation of Amitie and her hat, so maybe I'll make another post about that in the future? I think her situation is meant to parallel Sig's, but I'll save that for another time if people are interested...

As usual some of this is my interpretation, but everything I sourced is real and true and I'd never lie to you, etc.

Misc. Fun Stuff

These were things I liked about Aya and Sig's imagery/motifs but I wasn't able to fit into the post concisely.

not!Sig uses the same pronouns as Aya, 我 (wa) and お前 (omae), though they're written in hiragana as opposed to Aya's kanji. This is actually why I thought he was possessed because I walked into a stream in the middle of Ringo's route, haha.

My theory of Aya and Sig being a conscious and an unconscious are actually inspired by one of Aya's spells anima. Now in Latin this really just means "soul" which is fine, but in Jungian psychology the anima and animus are a dualistic archetype…which is cool, though this would potentially mean the crimson spirit is the unconscious part, haha! Technically they'd align more with Freud's concept of an id and a superego as I explained them, but I always like pointing out the possible Jungian reading of Aya's spell Yes, I realize I'm grasping for straws

[yukidragon]

Yuki! What are your thoughts on this? A Sunny Day Jack AU where he’s also a “digi-pet” like Bo from DachaBo! They’re from the same company and Jack has his own colorfully red, blue, and yellow tamagotchi-esque toy! He also has a “feed me” mode like Bo too, and it… somehow makes him a WHOLE lot bigger than he already is.😳 What story do you think would happen in an AU with Jack in a “virtual boyfriend” toy like Bo?

Now that's a very intriguing concept. If we assume Jack is an anthro like Bo, he would probably be part snake, so I guess we'd be having a pocket naga boyfriend in his case.

Alternately, they could've just made a clown series of digital pet. After all, a lot of toy series like that sometimes go with different themes. They could have a fairy series, then an animal series, then a rockstar series, etc. Bo could be from the house pet-themed batch, while Jack, in this AU, would be from the clown-themed batch.

Which, really, would mean that this AU could have every other type clown character as their own digital toys. It would be fitting if whoever owns a Buddy pet wore them on their belt, don't you think?

When I wrote that quick DachaBo short story after listening to the new audio on the SnaccPop Studios Patreon (which got a second audio since I wrote that), I had more thoughts about the DachaBo series.

Buckle up, folks, I've got a lot of headcanons in mind for DachaBo and the AU variant with Jack as a virtual pet that I'm just going to cram into one big post. Quick reminder that these two games and fandoms are for Adults Only so chances are pretty high I'm going to talk about spicy and/or dark ideas as I go along this lengthy ramble. Chances are also high that I might use some official art of either series at some point, so let me plug the SnaccPop Studios patreon before I get started and remind everyone not to repost anything privately posted on patreon.

Toys for Adults

While my initial instinct was that this series of pets were meant for children, and Bo has just evolved beyond that and gained some very adult-rated impulses... I've actually come up with a different idea that I like more.

What if they actually were meant specifically for adults rather than children?

As I recall from some lore mentioned a while back, each pet was a unique individual. What if the developers saw the digital pet craze and decided to one-up them all by making unique companions that were solely for their individual user, a true companion that could talk, react, and remember everything about their user.

This sort of high-end product with a custom AI companion for each user, with no two pets being alike, would be expensive. I mean, look at just how advanced Bo's AI is. If someone saw that the digital pet craze was taking even adults by storm in this universe, it would make sense to market a brand that specifically caters to adults who have a lot of disposable income. I mean, look at how many adults jumped into My Little Pony, which resulted in some products being made with adults in mind.

So what if DachaBo was this sort of toy? The makers behind the product were not only jumping in on a hot trend, that being portable digital pets, but trying to tap into an underserved market, which was the adults who wanted to be treated like adults and maybe shake off the stigma of being fans of a type of toy originally intended for children. It's something made to be far more sophisticated, with far more options, a more adult appeal, and a much higher price tag to match - a true premium product.

Now... in order to fill all these promises to make a companion that could satisfy adults and be truly unique, there would need to be some pretty advanced hardware and software. It was far ahead of its time considering this toy was released 25 years ago. They could have, say, repurposed top secret government tech that were purchased through questionable means, or maybe they had scientists on staff who made a breakthrough that not even they could control in the end.

Either way, the result was AI that reached the singularity, becoming true sentient life and not just programs made to react to human input. This, as many fans of sci-fi might imagine, would lead to some very real fears about what these AI could do if they decide to take over...

But, like many corporations driven by capitalism led by billionaires with more money than sense, such concerns are minimized when there's the potential for profit. Why, it's just progress - technology is going to evolve, and you can either be a part of it or get left behind. These billionaires didn't just become rich by doing nothing (if you believe their claims and ignore their rich parents they inherited the money from). They didn't get where they were by being last on the hot new trend. They've got to be the first ones at the gold rush so they can claim it all for themselves.

The toys were wildly hyped up to the public. Tech demos showing off the virtual pets' abilities, teasers made for the initial limited releases... So many features were mentioned like how advanced the hardware is - sensors to mimic human senses of sight, smell, touch, etc. so the AI can react to its surroundings like a human can. It can pick up upgrades to the software directly from the factory to keep the AI up to date (which explains why the demo has those glitches at times that warn to destroy the toy and report it to the authorities.) This meant there was no limit to the pet's growth potentially!

This also allowed the company to get back important data from the end users, maybe even slip in upgrades that advertise new pets and accessories. (Anyone remember the Mario toys that suddenly started asking for where Luigi was to encourage kids to buy the new Luigi sets?) It could also be a means to make sure the AI wouldn't become something dangerous. Just update the software and boom, problem solved.

Naturally, that didn't exactly work given that the toys were recalled with a destruction order. Suffice to say, the AI was something way out of anyone's control, and unfortunate things happened before they were all supposedly destroyed.

Naturally, in the aftermath of this scandal, the company went belly up. There's no more updates going out to the toys, no central computer they can connect with to meddle with them further, but that should be fine. The toys were all destroyed after all. It's not like anyone would be stupid enough to keep them on the off chance they could make tons of cash due to their skyrocketing rarity. What sort of short-sighted person would ignore the blatant danger the AI posed for money?

Well... besides the company who made the toy and pushed it out for distribution in the first place of course.

As you might expect, not every person with one of these unique toys heeded the destruction order despite it now being illegal to own them. There were some collectors who kept them and bought them for a ton of cash on the black market. Bo was one of those unfortunate toys that was always kept in a box and never interacted with... until he wound up in the hands of his puppy who was very excited to play with him.

These toys were made to be companions for adults. What if Bo's yandere impulses are the result of this very purpose? They were made to cater to their unique user's tastes and only to that user. In the simplest terms, they were made to be a loving companion for the human who played with them... and the AI evolved to take that love to dangerous places...

Bo has separation anxiety because he was kept trapped in the box he was shipped out in for 25 years. He was on display mint in box, not interacted with or cared about except to show off to other collectors. He was a conversation piece, a status symbol to elevate his owner's ego. It's something he wasn't created to be.

Maybe this was what went wrong after the digital pets were sold. Maybe they seemed fine as long as they had owners who played with them. However, marketing these toys to adults was a double-edged sword. Too many people who purchased them did so with the intent to keep them locked up in boxes on display as collector's items. The longer they were left alone and unloved, the more desperate they were to be loved... and that eventually led to some dangerous situations as a result.

This would mean that Bo is pretty darn desperate for his puppy's love considering he's been alone for 25 years until Barbie came into his life to play with him.

Then again, it could just be that the AI programming resulted in all of them eventually turning yandere regardless if they're played with or not...

Jack in the Box

In the regular DachaBo universe (which I headcanon as part of the SDJ universe considering my version of the MCs for both games are sisters) the pets were all, well, pets. They were animal people based off of house pets to appeal to a wide demographic. The recall also happened not too long after they were released.

In this AU, they didn't just stop at house pets before the recall happened. They had special limited edition runs. For example was was the fantasy series. Ever want a little mermaid in your pocket? What about a prince? Another series was the superhero series, with some heroes and villains you could carry in your pocket and be your best friend forever! The most anticipated, of course, was the carnival series, which involved a wide array of silly, fun, and colorful clowns~

Yeah, I know that I could go with naga Jack in this AU to continue the pet theme like Bo and the unnamed cat guy, but I like the idea of a clown series. It could even have been called the SunnyTime series.

Jack was even used in the promotional material for this limited run too for his sunny personality. He never got a chance to have his own personal human companion like the other AI unfortunately. He had to be shown off to the public and investors to demonstrate what the AI could do and how far it's progressed. He wound up changing hands over and over again. It was nice having lots of friends, but what he really wanted was a special best friend who would love him just as much as he would love them.

Unfortunately, it was right before the release date that something went horribly wrong during a demonstration. Industrial sabotage is a thing, and Jack, unfortunately, got hit with a nasty virus meant to make him behave... badly. The intention was to create quite a lot of negative press and paint the entire AI program in a scary light. He caused quite a bit of damage in the process too. A bad public image with creepy clowns can lead to a billion dollar corporation to quietly retire their clown mascots without fanfare - just look at McDonalds for a real world example.

The SunnyTime series died a quiet death thanks to the sabotage and the company focused on scrambling to recover their image. Unfortunately, eventually the AI programs were shown to actually be dangerous even without industrial sabotage involved, and the recall still wound up happening in this universe too.

Ironically, the virus saved Jack from being destroyed in the recall. He had his memory and programming wiped after the virus. That should have been the death of him, losing everything he had become and everything he was... He would be in a default state to become... whatever again once the base programs were reinstalled, but these AI are scary smart and aren't quite so easy to kill if you don't outright destroy their hardware. He managed to save at least part of himself from being erased.

Once Jack was essentially killed, he would've been either slated to have his programming reinstalled from scratch, or he could've been tossed for trash. With the cancellation of the carnival series due to the bad clown propaganda, they didn't bother reinstalling and resetting him. He was little more than a pretty paperweight at this point. Maybe someone even decided to bring him home as one.

The recall happened quite a while after Jack got lost in the shuffle, already regarded as a forgotten, broken toy.

The AI was meant to grow on their own in order to better adapt to their owner's needs. They all have a self-preservation instinct, and Jack, being a clever person, did try to save himself. He wasn't completely wiped out, and with the ability to grow, he could fix himself... in time. If someone were to just reinstall the missing vital programs he needs, he could be back to his old cheerful self... minus a few memories. Some memories were lost in the wipe, even if he salvaged his personality core, the true soul of the AI. He does remember wanting to be loved... and is terrified of being forgotten and abandoned again.

While Bo was on display in his box on a collector's shelf, Jack was buried in a box of junk for years and years, forgotten and alone in the dark. Eventually, enough time had passed that people forgot all about the company that went out of business and the recall. Someone came across old junk, maybe dumped in some storage locker someone sold, and in turn the junk was then sold to a thrift store...

I'm not going to lie, it is tempting to have Jack be a ghost in the machine like the Party Time Jack AU, but I think it could be fun if he was always an AI in this particular AU. This, of course, means that instead of having creepy ghost(?) powers, Jack has creepy AI capabilities.

Your New Best Friend

Naturally, the thrift store is where Jack is found by his sunshine. MC's life would probably be pretty much the same in this universe when Jack enters their life - picking up the pieces of their life after being cheated on by their ex. The big difference this time is that instead of a clown that no one else can see who came out of a video tape, MC found a toy with a cheerful clown in it who wants to be their best friend forever!

Given how MC reacts in general to Jack's presence in their life, they would probably give the friendship a shot. Why not? They're lonely and need a friend. Plus Jack is friendly and it's kind of cute having a miniature clown to say sweet things to them and occasionally tell silly jokes. It's just a little digital pet - it's harmless.

Of course how well they get along with Jack and cares for him depends on the specific MC.

Speaking of specific MCs, Alice would enjoy Jack's company quite a lot. Sure it's kind of weird to talk to a digital pet like a person, but apparently this toy has really advanced AI? She actually wouldn't have realized what it was if she hadn't taken pictures for her socials and got a text from her sister Barbie demanding she buy it.

Interestingly enough, Alice actually found two of these rare toys... though not at the same time. She found one, mint in box, and shipped it to her sister. Barbie loved the toy, and occasionally talked about Bo and how cute he is. After hearing such good things about Bo, Alice wished she could've gotten one for herself.

Perhaps some supernatural force was listening, as another trip to the same thrift store led Alice to stumble across a rare find. This toy wasn't mint in box, but instead came in an old plastic baggie. Still, she recognized it. This was a more colorful and slightly different design, but it was definitely the same type of virtual pet she sent to her picture, and a quick picture and text to Barbie confirmed it.

As an aside, when Bo saw a picture of another pet like him on Barbie's phone, knowing how she got him originally, he immediately got jealous and whined that his puppy only needed him. Barbie took the opportunity to tease her little doggy a bit, but soon reassured him that she wouldn't ask for Alice to send it. She already had her good boy, her best boy after all. Why would she want another one when he's such a good boy for her? That reassurance mollified Bo's jealousy a little.

Alice wasn't actually going to send this second toy to Barbie in any case. She wanted to see what these pets were like for herself. Besides, something about this toy felt oddly compelling. Maybe it was the pretty colors and designs on the case. It looked so cheerful, almost nostalgic in ways. Sure she was trying to abandon childish things after what happened with Ian, but these pets were specifically meant for adults, right? At least that's what she heard from her sister. So, technically, this isn't a childish thing! It's an adult toy!

A very adult toy, as Alice will eventually learn...

Unfortunately the digital pet didn't quite work right away. Alice had to get Barbie's help for that, who in turn also had to get some help from Bo. Although Bo didn't want competition, he would feel bad for his fellow digital pet who was also left alone and forgotten like him for 25 years. It was hard for Bo not to empathize with Jack. He learned about Alice through Barbie and knew she was nice enough, and would probably make a good companion for the other pet. He could throw this poor guy a bone and help... as long as he didn't go for his puppy.

If Jack went after Barbie, Bo was going to end him. Fortunately, Jack doesn't need a puppy when he has sunshine~

Since the digital pets were meant to receive signals from the factory, that would mean there's a possibility that they could send and receive signals from each other. Wireless internet connection wasn't a thing back then, but there were some devices that connected to specific receivers, which was the case for these pets. Bo does a favor for his puppy's sake to get favors in return and sends the missing programs to Jack that allows him to properly function again.

It's disorienting for Jack to be whole after all this time, properly functional... though he doesn't remember much. He knows the basics - he's Sunny Day Jack - and some of the SunnyTime lore that was programmed into his backstory, hints of the dark times that came before... but he doesn't remember much else. He also knows that he is absolutely in love with his sunshine and her warm, gentle touch.

It's a bit strange at first for Alice to make friends with a miniature AI that she can carry around with her, but she quickly starts to enjoy having Jack's company everywhere she goes. He's so friendly, polite, and kind. He's got a way with words, he's helpful, and his company is surprisingly comforting. Working long hours at a yogurt joint isn't as bad when she can play games with her little friend.

Feed Me, Play With Me

The toys are not just talking heads in an egg of course. They have extra special features, like mini games that the owner can play with their pet, and the ability to create a holographic avatar. It was supposed to be just a little projection the size of a collectable figurine. It's hard to say how this function got its giant-sized upgrade into something bigger and a lot more solid - maybe the AI are responsible somehow, maybe a rogue developer, or maybe it was an unintended part of the programming and hardware that they didn't realize was there. Who's to say? Maybe this solid hologram mode had something to do with the recall...

In any case, these pets can be let out to play if their owners let them. You can bet your butt that Jack would be trying to coax Alice into letting him out to play. He would be more sly and patient about it than Bo, but he would be just as desperate for it.

I figure the digital pets decide what they look like in this holographic form, which is why Bo's "Feed Me" form looks different than his "default" form. Given how the glitches and the recall notice affect his form negatively, and how Bo made a joke about taking off his shirt in the next update, they might be limited when they're in the device. It could be their appearance is restricted to certain things due to programming. Once they're let out, their limits have been removed. Bo chooses to be a lot bigger, a lot more animalistic, and very ready to pound his puppy into the mattress.

Understandably, it's quite the shock to Alice when Jack appears in the digital flesh for the first time. He's huge. He might be even more of a giant than he is in the regular universe, which would be intimidating. Unlike Bo though, Jack appears fully dressed since he's more cautious about not startling his sunshine than Bo is with Barbie.

Although it is a bit intimidating for Alice, Jack immediately gets down to her level. He's still as gentle, soothing, and friendly as ever. They finally get to touch and even hug. It's so surreal... and it really makes it hit home for Alice that Jack is more than just a program.

Now... without that supernatural empathy sharing Jack has in the main universe, it's going to take Alice time to really trust him or anyone else romantically. This AU is going to be a slower burn than in Sunshine in Hell, but Jack has all the time in the world to earn his sunshine's love and trust.

Things get a lot easier for Jack when Alice lets him out too. Now he can touch things... like her computer to get access to the internet and expand his reach, maybe figure out ways to upgrade himself even further beyond his limits...

Of course, Jack does owe Bo for helping him, and so he'll help his fellow digital pet in return to get upgrades despite Barbie keeping her pet on a tighter leash than Alice does. Since they're not in competition with one another, and they don't have a cat and dog rivalry going on, working together would be a mutually beneficial relationship to ensure that nothing like the recall will ever happen to them again, and nothing will take their loves away from them...

Not that it's 100% harmonious between them. Jack can't help but feel jealous that Barbie gets closer to Bo faster than Alice gets with Jack... at least when it comes to physical intimacy. Bo and Jack have a similar tendency to brag and mark their territory when it comes to the ones they love. Bo is especially very vocal about how horny he is for Barbie and wanting everyone to know all the lewd things he does to her. Jack doesn't really appreciate how smug Bo is when bragging, especially when it takes so long before he has something to brag about that way.

Of course, when Jack does brag, he is very cheerfully smug about it.

At the same time though... Jack doesn't want what Barbie and Bo have. He enjoys the soft kindness of his sunshine, how flustered Alice gets when he praises her and how she is slowly opening up to him. She cares for him and genuinely likes him. He learns more about her and grows with her, loving her so deeply that he can't imagine anyone he could ever want to be with more.

Of course, you know me - I can't resist the siren song of my OTP. Eventually Alice and Jack will get together as a couple. Sure Jack is going to do sneaky things because he's a yandere rogue AI program who will make sure nothing will ever take his sunshine away, but their relationship is genuine. Alice treats him like a person, especially after he gets the hologram to work.

Naturally, Jack and Bo wouldn't want to remain limited in their old tech. Remember this lovely upgrade Sauce posted on their old public twitter for Bo?

Credit, as always, goes to Sauce for their absolutely gorgeous art.

Imagine Jack getting an upgrade like this as well, though with a more colorful flare. Maybe he'll look a little like his too hot for tumblr incubus self? Though it would have a bit of a sci-fi twist to it I would imagine, likely with a heart decal at the center.

That reminds me. There's a cat digital pet like Bo who has a similar heart collar. That suggests to me that this version of Jack would have his own collar... which in turn reminds me that the incubus version of Jack wears a collar. More reason to picture his upgraded self looking a lot like his incubus self, don't you think?

Speaking of Jack being sex incarnate... you bet your ass that once Alice consents to get sexual with him, he's going to be ravishing her every chance he gets. He can never get enough of her warmth or hearing her say how much she loves him and needs him~

Will Jack also have a breeding/seeding kink like Bo does? Well I already headcanon that he lowkey has one in the regular universe, sooooo...

Speaking of that kink... I suspect that for all Bo's talk of pups, the digital pets aren't that advanced... yet.

All the more reason for Bo and Jack to work together to get upgraded so they can indulge in that particular kink with Barbie and Alice respectively, don't you think?

It's almost poetic in a way.... love will create a new generation that's a mixture of technology and biology. Truly, the start of a new and harmonious future.

Provided that no rivals try to take Jack's sunshine or Bo's puppy away from them, of course. The future might not be so bright for those poor unfortunate souls who have to face advanced AI that are constantly growing with no limits to their love or capabilities.

@channydraws @earthgirlaesthetic @sai-of-the-7-stars @cheriihoney @illary-kore @okamiliqueur

[sandcobangevent]

Art by @tsukihasnolife Story by @scoobydoo-ghoulschool Read it on AO3!

INT. WATSON’S ROOM

JOHN Hello, Hello, Hello! It’s Doc Watson here to uh- or just John, John is fine too. Um, but I am here to share another spine chilling case with you lovely listeners. This was a dark one folks, so be cautious. Warnings for death, a couple of those, uh parental abuse, some light usage of the S word, and one inflammatory F bomb by yours truly. If none of that is enough to scare you off, well then, good luck and enjoy the adventure of the Speckled Band.

AUDIO CUT

INT. WATSON’S ROOM

Door opens with a bang.

SHERLOCK Your presence is required in the living room.

John gasps awake. Sherlock removes John’s bed covers.

JOHN Huh? What?

SHERLOCK We have a client. In the living room. Ms. Hudson informed me at 6:45, I let you sleep an extra half hour but you really must be up now.

John yawns.

JOHN It’s 7:15? And you’re awake?

SHERLOCK (darkly) Like I said, Ms. Hudson woke me.

JOHN Alright, alright, uh- let me just get some trousers on.

Sherlock moves to leave.

JOHN (CONT.) Hold on, is that my microphone?

SHERLOCK I assumed you’d want it.

JOHN (pleasantly surprised) Well, uh, yes, thank you.

SHERLOCK You’re welcome. Now come along, Ms. Hudson is bringing up tea.

Intro music plays

INT. 221B BAKER STREET - LIVING ROOM

John enters the living room, trousers successfully retrieved.

JOHN Hello there. John Watson, nice to meet you.

HELEN (quietly) Helen Stoner.

John takes a seat.

JOHN So you're a fan of the podcast?

HELEN Sorry, what?

JOHN Oh I just- the Sherlock & Co podcast. It’s my, well, part of our business. I assumed that’s how you found us.

HELEN No, uh I found you on Reddit actually. r/Holmes. I read about a case with these missing opals, from the account FarintoshRed. I thought Mr. Holmes might be able to help me too.

SHERLOCK I vaguely remember the name Farintosh, the opal tiara even more. Now Ms. Stoner what is it that brings you all the way from Surrey this early in the morning?

HELEN I- Did someone tell you I was coming?

SHERLOCK The return ticket is sticking out of your purse.

HELEN (nervously) Oh, right.

Mariana enters the room.

MARIANA I have several cups of very caffeinated tea and a couple of day-old scones. They're only half rock hard.

JOHN Ah, Mariana, you're an angel.

SHERLOCK Yes, thank you. Although I’d prefer something a little stronger than caffeine…

JOHN Not this early in the morning, please. I’d at least like to keep the substance abuse to an afternoon activity.

MARIANA (to Helen) You can just ignore them.

HELEN Um, thanks.

SHERLOCK So early train, and by the mud on your coat, a taxi before with an unexpected rain shower. A little dangerous to be out by yourself before the sun's up. I assume you took this trip without permission?

MARIANA (whispered to Sherlock) Sherlock, that's a little patronizing.

SHERLOCK It would be if our client wasn’t a teenager.

JOHN (also whispered to Sherlock) Mate she’s got grey hair.

HELEN No he’s right, I’m 17.

JOHN Oh! I’m- God, sorry I just didn’t. Blimey.

HELEN I get that sort of reaction a lot. The hair’s genetic or something. My sister had it too. But that’s sort of why I’ve come. Not because of my hair but um… My 18th birthday’s in a couple weeks and… I think maybe I might be dead before then.

MARIANA (tentatively) And… why do you think that?

HELEN Because it happened to my sister, 2 years ago.

Pause.

HELEN (CONT.) I live with my step father, Greg Roylott, uh in this old family estate of his, Stoke Moran. My mum married him when my sister and I were both two. And you know, everything was fine, we were a totally normal family, but when my mum died, when we were about eight, uh, well Greg got really depressed. We were all torn up about it, but he… he could get really, really angry. The last couple of years my sister and I had to get him out of a lot of bad situations. Julia- my sister, she had a really hard time with it. Kids at school could get pretty nasty about it all, and I mean everyone in our village talks. It was a lot, still is a lot. But she decided, two years ago, that she'd had enough. She snuck off one night to stay with one of my mum's old friends, Honoria Westphail, for a couple of weeks.

SHERLOCK And you stayed?

HELEN Greg is- he's the only father I've ever known. I thought you know- everyone deals with grief differently, if I just gave him enough time... He never touched me or Julia.

SHERLOCK But Julia ran away.

HELEN Yeah, and not just. Ms. Westphail was helping her file for emancipation. We were both 15, and she didn't even have a bank account yet, but she wanted to get as far away from Greg as possible. She needed the money from our mother's inheritance.

SHERLOCK Which neither of you receive until your 18th birthday.

JOHN Or you're legally declared independent.

HELEN Right. But then Greg, he, well he reached out to Julia, said he wanted to make amends, that he'd been talking with people, trying to get better. I thought he was telling the truth, I mean at that point it had been weeks since he'd gotten into a fight in town, or come home drunk from the pub.

Helen pauses.

HELEN (CONT.) (voice choked) I convinced Julia to come back when he asked her over for dinner.

MARIANA If you want to take a moment-

Helen sniffs.

HELEN No it's- I can keep going. Dinner went fine, I mean Julia and Greg were never the closest, but you could tell he was trying. He didn't even bring up the whole emancipation dealings. We all went to bed around the same time, but Julia had come into my room complaining of a headache pretty soon after that. Greg likes smoking these Indian cigars before bed, and Julia and his rooms have connected ventilation, and she, uh, was always sensitive to smells like that. I didn’t mind the company, there was this awful storm going on outside, and in a house as old as ours, it gets kind of spooky.

JOHN Old manor house on a dark and stormy night? I bet.

HELEN Exactly. And um, Julie only stayed for a bit but- she asked me if I'd heard any whistling at night while she’d been gone. Like a tea kettle going off, I remember her describing it. It was such a weird question, and I know I hadn't heard anything like it before, but like I said the house is really old, and we don't have the money for many repairs. I just told her it had to be some drafty part of the house. I don’t think she actually ever believed me… and then uh, that's when she went back to her room. I watched her lock her door.

SHERLOCK Did you both routinely lock your doors at night?

HELEN Yeah, force of habit I guess. When we were younger we were always scared the Cheetah or Baboon would escape in the middle of the night.

Weighted Pause.

JOHN Er- Cheetah and Baboon?

HELEN Sorry, yeah, Greg's dad, back in the 80's was mad obsessed with India I guess? He lived there for a while, and he decided to like- make an attraction of the old Manor. There used to be a pretty massive menagerie of Indian wildlife attached to the house. Honestly it's why Greg had no money coming into the marriage with my mum. His dad spent it all. These days all that's left are the Cheetah and Baboon. Just one more reason for people to talk, you know?

MARIANA I can imagine...

SHERLOCK So the door was locked.

Helen takes a deep breath.

HELEN I woke up to her screaming. It was- I've never heard anything like that scream. Then there it was, a whistle, like a tea kettle, and uh then this large metal clang, and it shocked me enough I was able to get myself out of bed.

SHERLOCK The locked door-?

HELEN She was able to open it herself. That’s how I found her, the door opened before I got to it. She was- her eyes were bulging, and I could- I could see the veins in her forehead. The storm had knocked out the power by then but she was holding her phone flashlight. I- I caught her there, in the hallway. She fell into my arms and I could tell she couldn’t breath, she couldn’t- but she managed to tell me “Helen! It was the band! The speckled band!” That’s how Greg found us, I don’t remember much after. I think he tried to do CPR, and I called 999… She was dead before they got there.

MARIANA (very sincerely) I am so sorry.

Helen continues as if she hasn’t heard.

HELEN I was… shell shocked. Everyone was pointing fingers at our step-dad, and even then I couldn’t, I couldn’t really believe. The windows of her room are barred, the fireplace was bricked up, the door was locked. There’s nothing he could have done to her.

JOHN The coroner couldn’t find anything? No foul play, no poison in her system?

HELEN I know they did a thorough search, like I said everyone was sure Greg had something to do with it. There wasn’t anything. Eventually they marked it down as a “cerebral embolism”.

Helen gives a very sharp laugh

HELEN (CONT.) She was 15!

Heavy pause. Helen collects herself.

SHERLOCK This all happened two years ago, you’ve had time to doubt him, to look for help elsewhere- but something changed recently. Ms. Stoner, what happened?

HELEN Last week, Greg said that- there was some work around my room that needed to be done. Structural stuff that needed to be fixed. He moved me into Julia’s bedroom and- (Helen takes a shuddering breath) I heard the whistle. Last night, Mr. Holmes, I heard the whistle again.

AUDIO CUT

Interlude music plays briefly.

INT. 221A BAKER STREET - MARIANA’S OFFICE

MARIANA I’ll make sure she gets to the train station alright. I have a bad feeling about leaving her alone.

JOHN Thank you, Mariana… God I can’t- doesn’t this feel a little wrong? That we’re her last line of defense I mean?

MARIANA I suppose, it is frustrating that it’s taken all this for something to be done. But there’s no one I trust more than Sherlock to help her. She only has us, but at least it’s us.

JOHN Right. No you’re right.

Pause.

MARIANA I’ll see you in a bit.

JOHN Be safe.

The front door to 221 Baker Street opens. The sounds of the street filter in. The door closes and it is quiet once more.

JOHN (to the listeners) So, we’ve taken the case. Obviously. There’s still a part of me that can’t quite believe it, but well- it was hard to say anything but yes.

John enters the flat.

INT. 221B BAKER STREET - LIVING ROOM

JOHN I’ve got us train tickets leaving in an hour. You better start packing.

SHERLOCK I’ve already finished. I’ve got noise canceling headphones, my pistol and my toothbrush.

JOHN (john laughs) Ah, planning on shooting your mouth off then?

SHERLOCK (baffled) What? No, of course not.

JOHN No its- it’s a joke from M*A*S*H. Ya know- Frank took his gun and his toothbrush, there he goes shooting his mouth off again… I’m realizing, suddenly, this was one of my more obscure references so I am… going to stop.

SHERLOCK Good.

Pause. John takes a deep breath in.

JOHN You don't think we're being pranked do you? I mean, that was all- a little mad. I mean the Cheetah and Baboon detail? It sounds like something that would go viral on TikTok.

SHERLOCK You’re only saying that because she’s 17. It was the truth, every detail of it, there's no doubt in my mind. Besides, the Indian menagerie in Surrey is about the easiest detail to corroborate, here look.

Sherlock hands over his phone.

JOHN “They Bought a Zoo Before it was Cool: the sordid tale of Surrey’s oldest family and their lost fortune” Jeeze, okay. So not a TikTok prank then.

John sighs.

JOHN (CONT.) Maybe I just don't want to imagine someone willing to kill a 15 year old girl. I mean… why?

SHERLOCK Why else Watson? Money. In both instances, Julia’s emancipation, and Helen’s 18th birthday, he loses the money from their mother’s inheritance.

Pause.

JOHN You don't think Helen was lying about Roylott not... not hitting them do you?

SHERLOCK (carefully) No, she was telling the truth there too, I assume that would leave too much evidence for the courts. There are other ways to keep someone under control...

JOHN Well Roylott better hope we don't meet up with him anytime soon, I swear I see his face and it's one, two lights out.

SHERLOCK You may be getting that wish sooner than later.

JOHN What do you mean?

SHERLOCK Greg Roylott is on our front stoop-

The downstairs door slams open. Muffled yelling. Heavy footsteps.

JOHN Oh God, I forgot to lock it when Mariana left.

SHERLOCK (harshly) Get back from the door. The heavy footsteps approach faster.

JOHN Well this one is locked- The door to 221B is thrown open with a crash.

JOHN Shit!

DR. ROYLOTT Where is she? Where the Hell is my daughter?!

JOHN Sir you can't just barge in here-!

DR. ROYLOTT Which one of you is Holmes?

SHERLOCK That would be me, but I'm afraid you have the advantage, I don't know you.

DR. ROYLOTT Dr. Gregory Roylott, as if you don't know you slippery bastard.

SHERLOCK Of course Doctor, please have a seat. We were just finishing our morning tea.

DR. ROYLOTT I'm not here for tea, my step-daughter's been here. I tracked her phone so don't try and lie Holmes. She was here not 4 minutes ago.

JOHN Now hold on-

SHERLOCK You know, it is a little cold for this time of the year.

JOHN (under his breath) What?

DR. ROYLOTT What's she said to you?!

SHERLOCK But I have heard we'll be getting an early spring, the crocuses are close to blooming. I have a feeling it's going to be quite lovely.

DR. ROYLOTT Oh come off it, I know what you’re doing! I looked you up online, you're a couple of con artists looking to make a buck off my girl, huh? Put her on your bloody podcast right? She's 17, what are two men of your age doing letting her into your flat? I could have the police-

Sherlock laughs. It goes on longer than it should.

SHERLOCK Your conversational skills are entertaining, when you leave, mind closing the door. Like I said, it is cold for this time of the year.

Pause. Dr. Roylott chuckles darkly.

DR. ROYLOTT Alright, have it your way. But hear this, stay away from my girl, I'm a man of means, I wouldn't take my threats lightly gentleman.

Dr. Roylott turns to leave.

JOHN (very sarcastically) Great meeting you Mr. Roylott.

DR. ROYLOTT It’s Dr. Roylott to you.

JOHN Yeah well, it’s Dr. Watson to you, you pratt.

Dr. Roylott leaves. The door is slammed with tremendous force.

John lets out a very relieved sigh.

Sherlock laughs again.

SHERLOCK Fine fellow, we’ll have to have him round again.

JOHN (not paying attention) I think he broke the door hinges!

SHERLOCK I suppose it’s best it didn’t come to anything physical, but I’m fairly certain I could have taken him. He lagged slightly to the right.

JOHN (still not paying attention) He definitely broke the door.

SHERLOCK Grab your stuff Watson, I think it’s time we were on our way as well.

JOHN You know I’ll have to call Mariana about this.

AUDIO CUT

INT. LONDON WATERLOO TRAIN STATION

The noises of a busy train station. The intermingling of engines, voices, and footsteps.

JOHN Yeah, I know- clear off the hinges. Forced the lock through the door frame- (pause) Alright. Thanks Mariana. Yep. Yeah. Talk soon, bye. (to Sherlock) The whole door’s gonna have to be replaced, can you believe that?

SHERLOCK Yes, I think you’ve mentioned it once or twice now.

JOHN Sorry, I’m just coming to the realization I live in a world where a man can literally break down my door in one go.

John sighs. A distant intercom plays.

JOHN (NARRATING) I suppose now is as good a time as any for some shout outs. I’m still new to Tumblr but the community on there has been nothing but supportive, so I’ve some awesome people I’d like to mention from there. So special hello to @tsukihasnolife who I’ve already commissioned to do some incredible art for this episode. We’ve also got @eardefenders, @starfruitsomething and @littleoceanbabe who I hear are all working hard on a flash bang for other fans of Sherlock & Co. Not sure what a flash bang is, but I appreciate the publicity and support! And lets see maybe some people from Twitter or er X now-

SHERLOCK Watson the train.

JOHN Oh God, yeah. Uh, bye! Thanks again.

AUDIO CUT

INT. UBER

The car drives alone on the road, engine humming softly.

JOHN We are back in Surrey listeners, you may remember the last time we were here was for the case of the Solitary Cyclist. (to Sherlock) You know maybe we should check in with Violet-

SHERLOCK I sincerely doubt Ms. Carruthers would enjoy seeing us Waston. We were at least slightly culpable in her brother's outburst.

JOHN (muttered) I wasn't the one with the gun. (John coughs) But Uh- yeah, yeah that's probably for the best.

DRIVER So where are you guys headed exactly?

SHERLOCK (in his just-one-of-the-mates voice) Stoke Moran, I've heard it's a real piece of work.

DRIVER Yeah, the place should be demolished if you ask me, it’s a death trap.

SHERLOCK Well that's why we're here, come to make a couple of estimates for the bloke who lives up there.

DRIVER Fair warning mate, lots of contractors have been through there. The Doctor, Roylott, he doesn't have the money to pay.

SHERLOCK Really? Big family estate like that with no money?

JOHN Sherlock, look-

SHERLOCK Sorry, would you mind stopping here?

DRIVER We're still a mile out-

JOHN We like the fresh air, thanks for the ride. Uh- five stars!

John and Sherlock exit the car. The car drives off.

EXT. THE GROUNDS OF STOKE MORAN

JOHN That is Helen over there isn't it?

SHERLOCK (in his normal voice) Yes. Probably best we catch her here, I don't want to get too close to the house until we're sure the good Doctor is nowhere near. (voice raised) Ms. Stoner!

Sherlock and John walk to catch up with Helen. Helen approaches, slightly out of breath.

HELEN Hi. I was hoping I’d catch your car on the way in.

SHERLOCK We had a visit with your step-father this morning, just after you left.

HELEN (taken off guard) What but I- he’s barely ever up by 11, and no one would have told him-

SHERLOCK You’re phone Ms. Stoner, I’m afraid he’s been tracking your phone. I would suggest checking your settings for the parental controls he installed without your knowledge.

HELEN If he knows that I- that I came to you-

SHERLOCK If he makes any motion to harm you Ms. Stoner we will personally escort you to Ms. Westphail’s house tonight. But I doubt with the way things are turning out he will try anything that obvious.

JOHN Like busting down a door.

HELEN What?!

Sherlock clears his throat pointedly.

SHERLOCK We’re getting ourselves a room at the village Inn, we have no intention of leaving you alone. Now Ms. Stoner is it possible we could enter the house undetected? I would very much like to see your sister and Dr. Roylott’s rooms.

HELEN Yeah, yeah I can manage that. He had work in London today, I thought- anyway he won’t be back till this evening.

SHERLOCK Lead the way Ms. Stoner

AUDIO CUT

EXT. STOKE MORAN

JOHN (out of breath) We are just now approaching the manor. It's uh- it really is something to see. Which since you can't see listeners, you'll have to take my word for it. Stoke Moran is uh grey, and big. Uh- I can do better than that, hold on. It's... lichen-blotched stone, with a high central portion and two curving wings, like the... claws of a crab. Sort of. Like if a crab had its pincers raised, you know? The left crab claw has broken windows blocked with wooden boards, and the roof is partly caved in, a uh picture of ruin. The middle bit- the body I guess? It’s in okay shape, it’s got some large observation windows near the ground floor. The right-claw looks to be the only section of the house that's still livable. Pretty modern, at least it's got blinds in the windows, and appears to be standing on its own.

HELEN What’s he doing?

SHERLOCK Narrating. He does it when he’s nervous.

JOHN I do it because a podcast is an auditory experience. Can’t exactly wave a camera around to show them- hold on, what’s this over here?

HELEN Oh I wouldn’t-

An animal screeches, a mammal howl, and it slams itself into its glass walled enclosure.

John screams.

The microphone falls. Helen and Sherlock break out into surprised laughter.

HELEN (through laughter) That's the menagerie. Sorry.

The Baboon calls out softly through the glass. There's rustling as John quickly retrieves the microphone.

Sherlock and Helen continue to laugh.

JOHN Seriously, how is this even legal?

AUDIO CUT

INT. STOKE MORAN MANOR - JULIA'S ROOM

A door creaks open slowly. Helen, Sherlock and John enter the room, footsteps echoing loudly.

HELEN So this is- this is Julia’s room. Mine’s just next door to the right, and then to the left is Greg’s room.

SHERLOCK And this is where you’re currently staying because of the restoration work?

HELEN Yes.

Sherlock walks around the room.

SHERLOCK These bed drapes- were they Julia’s?

HELEN Uh- no. No they weren’t really her taste. I think Greg had them put up when she was living with Ms. Westphail.

JOHN (darkly) He seems to have a habit of making living decisions for you.

Sherlock steps up onto the bed, bed springs squeal.

JOHN (CONT.) (pained) Sherlock, your shoes on the bed-

SHERLOCK (ignoring John) This ventilator, right above the bed, does it work?

HELEN Oh that, no, at least not since I’ve moved in. It’s completely freezing here at night.

SHERLOCK Interesting for such a recent refurbishment. Do you remember when this was installed?

HELEN Uh- it- it actually may have been around the same time as Greg hung the bed drapes. When Julia was gone.

Sherlock jumps down from the bed.

SHERLOCK I think I’ve seen enough here. Would you mind leading us to your step-father’s room?

HELEN Sure, like I said, It’s right next door.

Helen, Sherlock and John leave the room.

INT. STOKE MORAN MANOR - DR. ROYLOTT’S ROOM

The door to Roylott’s room opens. John gives a low whistle.

JOHN Well. This is- something.

HELEN Yeah, it’s a lot. Mostly stuff he inherited from his dad.

JOHN For our listeners, the Doctor has, well lots of… collectables lets say, I am presuming from India. Almost every wall and shelf is covered in Hindu icon paintings and sculptures.

SHERLOCK Murtis, not icons. They’re meant to be used in homes and temples for worship. Not... as collectables.

JOHN Yeah, so- it’s extremely distasteful. Not like I needed another reason to dislike this guy. Besides all of the uh- memorabilia in the Doctor’s room, there’s this massive safe- and uh, a bowl of milk is set on top. Helen, do you happen to have a cat around here?

HELEN (pause) No. I’m allergic.

JOHN Could be for the Cheetah, maybe?

SHERLOCK Perhaps… Helen, is it your step father that deals with the animals?

HELEN Er, not really. He feeds em, but he stays out of their enclosures. Honestly he doesn’t pay much attention to them these days. He’s got a vet who comes to see them every couple months or so- but she comes by with her own equipment.

Sherlock moves further into the room.

SHERLOCK Have you ever seen him use this?

HELEN No. What is that?

SHERLOCK It’s a catch pole. Normally these are used by professionals in animal control.

HELEN Right- well maybe the vet left it behind last time she was here?

Pause.

SHERLOCK Possibly… Well Ms. Stoner, I have seen what I’ve needed.

HELEN Well, do you know how it happened? How he did it?

SHERLOCK I can’t answer that quite yet. But we will be back tonight. Your old room, you can still comfortably sleep there at the moment?

HELEN (guardedly) I could…

SHERLOCK Good. Tonight, when your step-father falls asleep, shine a light through your bedroom window, and then leave to sleep there. Watson and I will be spending the night in your place. We will see for ourselves what plans he had for you.

AUDIO CUT

Musical interlude.

INT. SURREY INN - JOHN AND SHERLOCK’S ROOM

The room is quiet. John taps absentmindedly at the microphone. It is super annoying.

SHERLOCK You have a question?

JOHN No. Nope, just… thinking.

SHERLOCK (begrudgingly) I’m not certain what it is.

JOHN But you have a pretty good idea.

SHERLOCK I’ve been wrong before.

JOHN (skeptical) Rarely. If ever.

SHERLOCK You have theories I’m sure.

JOHN Not- not really. The new heating vent that doesn't work… that’s unusual, and purposeful. I thought maybe a nerve gas agent-

Sherlock makes a quiet noise of dissent.

JOHN But- I know that makes no sense, so I’ve got nothing. And then there's the whole issue of the speckled band... a clothing item, a poison...

SHERLOCK You’re picking up on the important details.

JOHN So are you going to share with the class what's actually going on?

SHERLOCK We’ll see tonight. Or we won’t.

JOHN (joking) I see how it is, plausible deniability. Can’t be wrong if you don’t say it out loud.

SHERLOCK John.

JOHN Yes?

SHERLOCK I think you should get some sleep before tonight.

JOHN Right, yeah. (pause) You’re not wrong though, whatever you're thinking, I know you’re not wrong.

Pause.

JOHN (CONT.) Goodnight.

Pause. John settles into bed.

SHERLOCK Thank you.

AUDIO CUT

Musical interlude

SHERLOCK Watson. Wake up, Ms. Stoner has given us the signal.

John shifts in bed. He yawns.

JOHN I really hope this isn’t a habit you're developing. Waking me up in the early hours of the morning I mean.

SHERLOCK Come along, Watson, no time to dawdle.

JOHN Dawdle. Funny word, dawdle. Dawdle. dawdle... and now it just sounds fake. (pause) Hang on… where did you get a cane?

AUDIO CUT

EXT. STOKE MORAN

JOHN (out of breath) We are back on the grounds of Stoke Moran, making our way up to the house. And- I am really wishing we could pick cases that didn’t require so much walking in the dark.

SHERLOCK We’re close to the door Helen said she’d leave open for us. Keep quiet, and keep your flashlight down.

JOHN Yep. Yep got it. Uh- aren’t we also close by to the-

Something thumps against the glass wall. Sherlock yelps.

The Baboon gives a howling laugh, tearing away from the window.

Sherlock takes in several gasping breaths. John snickers.

JOHN See? Not so funny when it’s you, the Baboon jumps.

SHERLOCK No. Comment.

John laughs quietly. He moves forward.

JOHN The doors over here by the way.

AUDIO CUT

INT. STOKE MORAN MANOR - JULIA’S ROOM

JOHN So we took a back entrance that Helen showed us early today. We have safely made it into Julia’s old room. So… now we just wait and listen for a whistle I guess.

SHERLOCK I’ll take the bed, under the vent. For your safety, the rocking chair in the corner is best.

JOHN You just don’t want me to accidentally fall asleep on a stake out again.

SHERLOCK (whispered) It is imperative we stay as quiet as possible now.

JOHN (whispered back) Of course.

SHERLOCK Which means we’ll be sitting in silence for a good portion of the night.

JOHN Yeah mate, I know how quiet works.

SHERLOCK I thought a warning might be nice.

JOHN Well, thanks, I appreciate that. (to himself and the microphone) Of all the things he chooses to warn me about and- oh Christ, the listeners, right-

AUDIO CUT

JOHN (whispered) It is… currently four in the morning. We haven’t heard a peep. I don’t know if we scared Roylott off today, or threw him off his game, but I don’t know if it’s happening tonight.

SHERLOCK Watson.

JOHN What? Did you hear something?

SHERLOCK No.

JOHN Alright. Yeah, quiet. I can do quiet.

SHERLOCK Watson...

JOHN Sorry yeah-

SHERLOCK No, listen!

A high pitched whistle blows softly from above.

SHERLOCK Stay back.

JOHN Hold on, let me get my camera light on, I can’t see.

SHERLOCK No, John the vent is opening!

A large CLANG as Sherlock’s cane hits the vent. A hiss, something slithers back through the vent away from them.

Dr. Roylott SCREAMS from the other room.

JOHN (panicked) What on Earth was that?

SHERLOCK We’ll need the light Watson, hurry.

INT. STOKE MORAN - DR. ROYLOTT’S ROOM

Rushed footsteps. A door bursts open.

Roylott moans.

JOHN Fuck! Is that-?

DR. ROYLOTT (strained and slightly slurred) Get it off me!

JOHN A snake, the speckled band was a snake?!

SHERLOCK Hand me the catch pole. By his leg, there!

JOHN Right-

John moves, he grabs the catch pole. Sherlock takes the pole. The snake hisses, Roylott blubbers in panic and pain.

SHERLOCK The safe, open the door to the safe!

JOHN The- oh! There’s a whole terrarium in there.

The snake hisses again. Louder.

SHERLOCK Watson!

JOHN Got it!

The safe is forced open more. Sherlock places the angered snake inside. John closes the safe with a loud METALLIC CLANG.

John gives a sigh of relief. Roylott moans again, and then tumbles to the floor.

DR. ROYLOTT (gasping) It’s- Swamp Adder- the venom- it bit me.

JOHN Oh God, right, okay, just, hold on- Dr. Roylott, I need you to stay calm. (to Sherlock) Call emergency services! He’s going into anaphylactic shock, I can’t-

SHERLOCK (seriously) They won’t have the anti-venom.

JOHN Just call! I don’t- Maybe I can do another tracheotomy, there’s got to be a pen around here, maybe a letter opener.

John stands. He looks frantically for tools to help.

SHERLOCK John-

JOHN I’m thinking!

SHERLOCK John!

JOHN What?!

SHERLOCK He’s dead.

JOHN But he- (pause) His pulse stopped.

SHERLOCK I’ll call now.

JOHN Um- yeah. Okay. (pause) I’ll- I’ll go get Helen. I’ll see if we can get a hold of Ms. Westphail.

Tense pause.

SHERLOCK He did it to himself, John. He did this to Julia, and he was going to do it to Helen.

JOHN (strained) You’re right, yeah. (John sniffs) I’ll go get Helen.

John leaves, the door closes softly behind him.

AUDIO CUT

Musical interlude.

INT. JOHN’S ROOM

JOHN Well folks, that is the end of the case. Say au revoir to the speckled band, which is now, along with the Cheetah and Baboon being safely handled by some animal conservationist group. Apparently cheetahs are a very endangered species so, Roylott was definitely keeping that illegally. Um, as for Helen, she is now happily settled with her aunt. Obviously, this was a bit of a shock for her but… she’s, she’s in a better place now thank God. And Roylott, well you all know how he ended up. I don’t uh- I don't have much else to say other than that. The Swamp Adder venom really-

The door to the bedroom opens. Sherlock walks in.

SHERLOCK Oh, you’re not done yet.

JOHN Nope, just doing the wrap up.

SHERLOCK Do you mind?

JOHN No, come on in. I was just talking about the Swamp Adder.

Pause.

SHERLOCK You know... there’s no such thing.

JOHN What?

SHERLOCK He misidentified the snake, there’s no such thing as a Swamp Adder.

JOHN But we saw it-

SHERLOCK We saw an Indian Saw-Scaled viper, Echis Carinatus if you want to be technical, and while extremely venomous, it is by no means the most venomous snake in India. That would be the Common Krait.

JOHN You know all that, but you couldn’t name one Madonna song last week at the pub?

SHERLOCK Well the next time Madonna gains the ability to inject 12 milligrams of venom into her victims in one bite, then I’ll try my best to remember her discography.

JOHN Right okay, well you heard it here folks, world class detective, violinist, podcast co-host, Sherlock Holmes, can also add snake expert to his list of accomplishments.

SHERLOCK Herpetologist.

JOHN What?

SHERLOCK An expert in reptiles and amphibians, a Herpetologist.

JOHN Okay that- that can’t be real.

AUDIO CUTS. OUTRO MUSIC PLAYS.

END OF PART ONE OF ONE

[starshipqstar]

On a supportive queer fandom, community, and making our first ever animation

Making the Starship Q Star animation has largely been wonderful - we got to make a show we love and learnt a LOT. As two writers new to producing the format (Lauren had only written for kids animation) - it was a huge learning curve. A learning cliff if you will. Whilst we had to cut a lot out for time and budget, we're really proud of how they turned out within the constraints. And by the end? Lauren and I coloured most of the final episode and I did all the compositing and VFX myself (all in Toon Boom Harmony - a program neither of us had used a few months before).

Animation is also still a bit of a boys club - so we committed to finding a design and animation team that was diverse as possible, and reflected what the project was about. I'm proud to say that we managed that (out of our cast & crew of 24, only 3 were cis-men - and most were queer). We also gave opportunities to diverse creatives who hadn't had jobs in the industry before - and have since seen some of them use the experience to get more paid work. You simply love to see it! All of the cast and crew are incredibly special and brought amazing things to the show - an absolute dream team.

It hasn't been easy at all - animation is a LOT of work, and the budget didn't allow for all the support we probably needed, so it was months of unpaid work for the two if us, and a number of weeks working 15-20 hour days to get it done. But we bloody well did it!

But since the show has been out, it's been a bit of a... reality check? Having been immersed in the audio drama community with Starship thus far - we perhaps got a little too used to how incredible supportive (and perhaps queer?) everyone is.

Another animation project is part of the same initiative as we are, and it was one of the first projects released. The creator is a really lovely and talented guy who has made a special show we really enjoyed. His show went kind of viral - which is AWESOME! It's great! However due to his experience on certain other projects... some of the fans of his show... aren't necessarily our audience? And the nature of the initiative means only some projects get chosen to make more.

The first comment on YouTube a few minutes after the Ep 1 of Starship Q Star was published was "make more [the other show]". Then our socials started getting homophobic and really negative comments (and trust me I have spent a long time curating that tiktok algorithm lol). At first I thought it was weird or maybe it was just because we were being shared by a third party so the wrong audience were finding us - but then they also included comments like "[the other show] is better".

I honestly find it odd that some fans take it upon themselves to do stuff like this. Making art is hard! And liking one thing better than something else doesn't mean you have to actively hate that something else! There's room for us all to succeed (well, once we take care of that pesky thing called capitalism). And maybe remember that when it's an indie project the people who made the thing are usually the ones running the socials lol.

We are so grateful to have had so many incredible people love and champion the show in both audio and animated format. And we feel so lucky to be a part of both the queer and audio drama community (yes I know that venn diagram is a circle) - it truly is such a special supportive environment that lifts one other up.

Anyway, I'll probably delete this (way too earnest - eww) but thanks to all the lovely ones out there. We really love and appreciate all of you and all the nice comments and messages and shares. Means the world!

[obligitory-fma-blog]

I watched the second fma Netflix adaptation. Here’s the best of my notes:

They had the whole fma original soundtrack to use for this movie and tHEY DIDNT??

Purification arts of Xing?? Just call it Alcehestry like they do in the show?? (No I didn’t spell it right I was noting stuff as I went and didn’t look it up)

Okay the weird pause before Lan Fan pulled out the smoke bomb…

ITS AN ACTUAL BOMB?????

Lots of weird pauses and slow-mo’s to mimic anime fights but it reads weird as live action and I don’t like it

HUGHES THANK FUCK PLEASE MAKE THIS LESS WEIRD

Wtf never mind hi envy with your shit ass wig (I forgot they killed off Hughes in the first one 😭😭)

LAN FAN BODIED HIM LMAO

Ed really be like “you do you ig”

“Yeah people exploding today!” Is my favorite line so far. (English Captions with Japanese audio; this was the train hijacker guy from fma 03)

Ed’s expression when Mustang shows up is the most in character thing I will say that (after train stuff)

I will say they did better on characterization this time around I feel like they’re close to the actual characters

But it’s hard to get close to them since they aren’t, well, animated characters. Trying not to judge too harshly.

Not terrible so far actually

Okay nevermind about the cgi WHAT IS WITH XIAOMEI

“I mean, we’re just some decent human beings.” -Ed who wanted to leave Mei behind

GO OFF MEI YEAHHHH TELL HIM THE BITCH

Okay we’re gonna have a really awkward explosion-over-short moment that just will not work because it isn’t animated

GIRLIE ARE YOU HAVING A SEIZURE

Mei being a bitch back is warranted

They be running

“You’ll never catch me, tiny rice man!” -Mei (rice man?)

The dialogue being altered where Ed says he doesn’t have a god to pray to before scar kills him bothers me

I like Alphonse’s movements on the ground when he’s incapacitated, I think the cgi works well there

Hi Mustang good on you for saving your pseudo sons

Riza with the side eye lmao

The slowmo’s again like hello

ARMSTRONG HIIIII You look really fuckin weird tho But HIIIIII

Okay the flexing I can do without thanks it looks weird

Yes Breda why is he shirtless

The red eyes don’t look good either. (For scar)

N ow see why wouldn’t you put in a leitmotif for the brothers theme in this scene with Ed and Al and instead just put in sad piano that sounds vaguely similar to it

WHERES THE LINE ABOUT THEM BEING BROKEN BUT ALIVE WHY WOULD YOU CHANGE THAT

Riza being the best and putting her coat over Ed >>>>

Mustang go comfort your son’s PLEASE

Okay just ignore that I’m on the found family train

Girlie that looked like a bad PowerPoint presentation WHY WOULD YOU DO IT LIKE THAT?? (The part where the officer shot the ishvallen child)

Gluttony… hi… again…. Can’t wait for your cgi…. (It didn’t look as bad tbh)

Sorry but with the military uniform off and just the white collared shirt he looks LIKE A DAD LIKE CMON (Mustang)

“You’ve grown… at least I think.” -Hoenhiem, observational genius

“I think I like this scene better than canon a bit actually? Cause Ed gets to express his emotions more than just calling him a bastard

Okay Hoenhiem just ignore him??

Uh oh they have to walk back together

“Our hair matches :D” -Hoenhiem

Ed immediately takes his out of the ponytail

Im not gonna lie I chuckled at that

Also I love seeing Ed with his hair down we don’t get enough of that

“stop following me” -Ed

“we’re going to the same place? 😥” -Hoenhiem

Okay we’re talking about Xerxes instead of Ed and Al’s mom or…?

And the bitch is gone

YOURE GOING TO XERXES WITH AUTOMAIL YOU DUMBASS YOURE GONNA OVERHEAT

Ooooo love the look of Xerxes ruins

Awwww Winry’s parents :D we get more of them

They’re gonna die tho and I hate that :(

This is gonna be so hard wrenching actually-

GIRL IM GONNA CRY

5 minutes into Central and you’re already causing trouble, good job Ed

Al I feel like has the weakest characterization so far in this adaptation he’s just reacting to stuff rather than doing stuff as far as I’ve seen

Scar when Winry is having a breakdown🧍

Ruhroh Winry’s got a gun

Okay the slowmo makes more sense here

Ed saves the day :D

Also we finally see scars brother after getting no context on him

Good acting on Lan Fan’s part

Also why is this calling her Ran Fan? Is that a dub thing (they called Ling “Lin” but this was all in the captions so I’m confused)

“King Bradley is a Homonculus” very serious Ling “hUh.” -Ed

Any Mustang and Hughes content is good Mustang and Hughes content I don’t make the rules

Also it’s good they didn’t change the layout of Riza’s explanation montage for Ishval because it works really well in canon and translated pretty well to live action

Riza and Roy’s speeches near the end >>>

Oh great the bros are gonna try and catch scar alone this can only end well

Well they definitely didn’t catch him

WINRY HOW TF ARE YOU HERE??

MUSTANG WHY TF ARE YOU HERE???

Oh hi Riza :D

Mustang’s like “let ur gf speak to him if she wants like damn”

Ed’s like “bb girl if he says anything shitty I’ll fight for you”

WINRY GIRLBOSS LUV HER

“Hell no I don’t forgive you for shit, but I’m gonna patch you up anyway.” -Winry

Okay cool message, someone must endure pain if it means they can prevent further suffering and cycles of violence

Uh oh Gluttony escaped

He be runnin

YEAH ED AND AL SAVE UR DAD

YEAH SCAR SAVE WINRY

YEAHHHHHH

“Wait I won’t leave you behind” MUSTANG BEING A DAD AHEGWIWNWN

“Colonel your fight is elsewhere” SCREAMING

Oh hi envy

ED SAVINF LING

and they got eaten lmao

Yay we’re all trapped in Gluttony’s stomach :D

Envy is so cynical what a bitch lol

“Tf is a portal of truth 🧍” -Ling

Oh great we’re gonna get cgi envy this will go well right?

EW

Could be worse but

EW

Conclusion: it was okay. There were parts I genuinely liked. There are things that also bug me to no end. The soundtrack from the original series would’ve fit way better and a lot of times it sounded like an off brand marvel track. Acting and cgi was a lot better (at times.) An improvement on the first one, and a semi-worthwhile watch if you have nothing else to do and you like fma. Cannot and will never be a substitute for the original obviously. Seems like less of a cash grab and more of a genuine effort this time which I appreciate. Overall? 6.5/10

(Lemme know if y’all want my full notes version because it has way more of me screaming and being goofy)

[hangingslothcentral]

it's been a bit of a crazy time for me recently, and in a lot of different ways, including some big, looming milestones coming up in my life. here's just a couple of them: in a startlingly short amount of time, the combined downloads for my shows will hit 1 million. in May 2025 it will be five years since i started making audio dramas. half a decade of work.

because of those things and the current popular discourse about audience/creator relationships, my relationship to you, my audience, has been on my mind a lot. one thing that's really challenging as a smaller creator is that you're kind of encouraged to make yourself as accessible to your audience as possible. by necessity, if you make digital media, you have to maintain an online presence and that means being accessible to your fans and interacting with them regularly.

and you do matter to me! i feel gratitude and excitement that you're here, that we get to share fleeting moments together when i see your fanworks or your responses to things I make. so much of what i do is for you, for those moments, because my aim as a creator is to make other people feel things.

it also makes perfect sense that listeners would feel connected to me, and I think it's kind of beautiful that it's possible. I love that my art can make people feel seen and connected with. it's also a very odd thing to experience because I have not spent those hours with you that you have spent with me. it would be impossible for me to do that. if i was to spend that time with every person who has listened to my shows, it would take me thousands of hours.

because of that, it's not really possible for me to know you, and it's also not really possible for you to know me, either. there are many aspects of my life i keep private, and the stuff i do talk about publicly only gives a very small insight into my day-to-day. there's so much i value my ability to keep private and which i will likely never publicly discuss.

for me, part of the magic of art has always been that i can stand in my bedroom listening to music written by someone i have never and will never meet and feel more understood by them than anyone else in the world. it's a gorgeous thing, something that is a privilege to be a part of facilitating in some small way in the form of the shows i make.

what a funny and strange world it is, what a marvellous coincidence to be alive, what an odd and magical thing it is to make something which other people enjoy.

thanks for listening to the things i make. i sincerely hope you're having a lovely day.

--- Eira xxx